N 2523 - Artifact - OMNIKA Museum

Artifact overview

N 2523 is an artifact (Clay Tablet) related to the mythological story named 'Inanna's Descent to the Netherworld.' The artifact's condition is Poor and it is currently located at University of Pennsylvania Museum of Archaeology and Anthropology in Philadelphia, United States of America, catalogued as record number N 2523. The language of the text contained is Sumerian (Sumero-Akkadian Cuneiform writing system). Its estimated date is 1900—1600 BCE, which is a range based on available data and scholarship. The mythology associated with this artifact includes the Sumerian belief system and related deities: Inanna.

29027_inannas-descent-netherworld-william-r-sladek-1974_Page_290

56447_Inannas_Descent_to_the_Netherworld_A_ce-068

Sourceomnika.conscious.aiRetrieval date08/17/2022

Source record No.P. 281, fig. IMediumPageOrientationObverse and reverseImage date1974CreatorWilliam SladekSource notesSladek, "Inanna's Descent," 281. [Figure I]

Source record No.P. 61MediumPageOrientationObverse and reverseImage date2019CreatorBoban DedovićSource notesDedović, "Inanna's Descent," 61.

About this artifact

Basic details

Type	Tablet Clay material
Condition	Poor
Date created	1900—1600 BCE
Language	Sumerian
Writing system	Sumero-Akkadian Cuneiform (script)
Location	Penn Museum University of Pennsylvania Museum of Archaeology and Anthropology · Philadelphia, United States of America
Digital access	CDLI No. P275003 Fully digitized
Myth portion	Lines 28, 29-31

Provenience

Discovery

Nippur, Sumer Present-day Al-Qādisiyyah, Iraq

Museum record data

Penn Museum

University of Pennsylvania Museum of Archaeology and Anthropology · Philadelphia, United States of America

Item specifications

Museum No.

N 2523

More specs

Mythological contents

Sumerian Religion

The contents of this artifact may depict or reference the following myths and deities associated with this belief system.

Associated myths and deities

Myths	Inanna's Descent to the Netherworld
Deities	Inanna

Cuneiform Digitial Library Initiative data help_outline

Core CDLI data

CDLI record No.	P275003
Composite No.	Q000343
Period	Old Babylonian (ca. 1900-1600 BC)
Provenience (origin)	Nippur, Iraq
Primary publication	CDLI Literary 000343, ex. 028
Author/date	CDLI/2014ff

More CDLI data

N 2523 is a clay tablet in Sumerian cuneiform that contains lines 28 (obverse) and 29-31 (reverse) of the Sumerian afterlife myth named "Inanna's Descent to the Netherworld." This artifact is owned by the Pennsylvania Museum and was previously translated by William R. Sladek in 1974.

The small, thin, tablets only provide a few lines and were perhaps part of a larger tablet.This artifact was discovered during excavations in Nippur (modern-day Iraq) during the 1890s by Penn Museum and the Ottoman Museum.

In 1974, William R. Sladek published a PhD dissertation which included the translation of seven new artifacts, including N 2523.^[1] While this artifact doesn't provide many lines, it was still useful for the decipherment of the entire afterlife myth.

Notes

🡩Sladek, William R. "Inanna's Descent to the Netherworld." Ann Arbor: University Microfilms, 1974.

Extended artifact data for N 2523

See detailed information about this artifact from the entity that has access to it.

Location description

Penn Museum Philadelphia, United States of America

Full address: Penn Museum, 3260 South St., Philadelphia, PA, 19104, United States of America
Open to all, the Museum is home to remarkable objects and powerful stories that emerge from its excavations and research across the world. Connect with the cultures of Africa, Asia, the Americas, and the Mediterranean, from the very first cities of the Middle East to the pharaohs of ancient Egypt; from early Mexico to the lives of Native American communities today. Experience the richness of the ancient past, gain an understanding of our shared humanity, and find your own place in the arc of human history.
Archaeology and Anthropology
The Penn Museum is the University of Pennsylvania Museum of Archaeology and Anthropology.
Archaeology is the study of objects made by humans. From the first traces of our earliest human ancestors to 21st...
Learn more

Record numbers

No.	Unknown
Digitized record	CDLI No. P275003
Artifact access	By request

Full artifact data

Museum No.	N 2523
Period	Old Babylonian (ca. 1900-1600 BC)
Material	Clay
Genre	Literary
Usable Lines	ca. 3
Language	Sumerian Cuneiform
Provenience (Origin)	Nippur, Iraq

Record notes

About these data

Retrieval date	Aug. 11, 2022
Copyright	Penn Museum

Render

See a rendering of the artifact in images, text, and other form factors. Where available, a translation is included.

Digital scan

OMNIKA Reader

Good news. This original artifact is digitized and available in the OMNIKA Library.

Inanna's Descent to the Netherworld: A dissertation submitted to the Johns Hopkins University in conformity with the requirements for the degree... Ph.D. dissertation · William R. Sladek · 1974

"Inanna's Descent" is a Ph.D. dissertation created by William R. Sladek in 1974. It is focused on "Inanna's Descent," a Sumerian afterlife myth, and includes a full translation and transliteration of the myth. Sladek published this work while earning his Ph.D. at Johns Hopkins University in Baltimore, Maryland, USA. His... Read now

Full Translation, Collation (full)

Sumerian ⟶ English ^a

Line	Transliteration	Translation
[1]	¹an-gal-ta ki-gal-šè¹ geštú-ga-ni na-an-gu[b]	From the "great heaven" she has set her mind on the "great below"
[2]	dingir an-gal-ta ki-gal-šè geštú-ga-ni na-an-[gub]	From the "great heaven" the goddess has ([set] Her mind on the "great below"
[3]	^dinanna an-gal-[ta ki-gal-šè] geštú-ga-ni na-an-[gub]	[From] the "great heaven" Inanna has [set] her mind [on the "great below"]
[4]	nin-mu an mu-un-šub ki mu-un-šub kur-ra ba-é-a-e₁₁	My mistress has abandoned heaven, abandoned earth, and is descending to the netherworld
[5]	^dinanna an mu-un-šub ki mu-un-šub kur-ra ba-é-a-e₁₁	Inanna has abandoned heaven, abandoned earth, and is descending to the netherworld
[6]	nam-en mu-un-šub nam-lagar mu-un-šub kur-ra ba¹-é-a-e₁₁	She abandoned en-ship, abandoned lagar-ship, and is descending to the netherworld
[7]	unu^ki -ga é-an-na mu-un-šub kur-ra ba²-é-a-e₁₁	She abandoned (her temple) in Uruk, the Eanna, and is descending to the netherworld
*Notes for lines [1-7]* 1. AB. 1-1) See the commentary for a list of the catalogues which contain the incipit 2. AB. 3. ABCD. 4. ABCD 5. ABCDE. 1) So A and B; C: mu- 6. ABCDE. 1) So A and C; D: ba-é-e₁₁ 7-13. 1) The order followed is that of C; for the order and number of the temples in the other texts, see the commentary. Note also that kur-ra and ba-é-(a)-e₁₁ is only contained in A, B, and D; C and E omit this phrase. 7. ABCDE. 1) See above. 2) So A and B; D: ba-é-e₁₁.
[8]	bad-tib[ira]^ki-a é-mus-kalam-ma mu-un-šub kur-ra ba-[e-a]-e₁₁	She abandoned (her temple) in Bad-Tib[ira], the EmuS'kalamma, and is des[cend]ing to the netherworld.
[9]	zabalam^ki-a² ³gi-gu₁₅^ki-na³ mu-un-šub kur-ra ba-é-a⁴-e₁₁	She abandoned (her temple) in Zabalam, the Giguna, and is descending to the netherworld
[10]	adab^ki-a é-sar-ra mu-un-šub kur-ra ba-é-a-e₁₁	She abandoned (her temple) in Adab, the E^arra, and is descending to the net/herworld
[11]	nibru^ki-a bara-dur-gar-ra mu-un-šub [kur-ra ba-é-a-e₁₁]	She abandoned (her temple) in Nippur, the Baradurgarra, and is [^descending to the netherworld] «
[12]	kis^ki-a hur-sag-kalam-ma mu-un-šub kur-ra ba-é-[a-e₁₁]	She abandoned (her temple) in Akkad, the Eulma^, and is descending to the netherworld Ua-lSg.1
[13]	a-ga-de^ki-a² é-ul-mas^ki³ mu-un-šub kur-ra ba-é-a-e₁₁	She abandoned (her temple) in KiS, the Hursagkalamma and is des[cending] to the netherworld
[13a-13g¹]
[14]	me-imin-bi za mu-ni-in-kesda	She took the "seven” me's
*Notes for lines [8-14]* 8. ABCDE. 1) See above. 9. ABCDE. 1) See above. 2) So C and D; B and E omit -a. 3-3) So C; B: gi-gu₁₅^ki-ga; D: gi-gu₁₅-na. 4) So A and B; D: ba-é-e₁₁. 10. ABCDE. 1) See above. 11. ABCDE. 1) See above. 12. ABCDE. 1) See above. 13. ABCDE. 1) See above. 2) So B and E; C omits -a. 3) So C^k; B: é-ul-mas^ki-a; E: é-ul-mas 13a.-13g. E. 1) For the seven additional temples listed by E, see the commentary. ABCDE.
[15]	me mu-un-ur₄-ur₄ ¹ su-ni-šè ²mu-un-la²	She collected the me's .and grasped them in her hand
[16]	me-sar¹ giri-gub-ba ²i-im-gen²	With all (her) me's in (her) possession, she went (on her way)
[17]	^tugsu-gúr-ra men-den_x-na sag-ga-na mu-un-gal	She put a turban, the pure headdress, on her head
[18]	hi-li sag-ki-na su ba-ni¹-in-ti	She took a wig for her forehead
[19]	^2na4za-gin-di₄-di₄-la²gu-na ba-an-la	She hung small lapis lazuli beads from her neck
[20]	^na4nunuz-tab-ba gaba²-na ³ba-ni-in-si³	She placed twin egg-shaped beads on her breast
[21]	^²tugpala túg-nam-nin-a² bar-³ra-na³ ⁴ba-an-dul⁴	She covered her body with a nala dress, the garment of ladyship adds the following temples: the Ibgal in Umma; the Edilraunna in Ur; the AMAS.E.KU in Kisiga; the E-e£dam in Girsu; the E.SIG^.ME.KU.DUy in Isin; the Artzakar in Aksak; the NIGIN.NI.kti in uruppak; the Eahulla in Kazallu.
*Notes for lines [15-21]* 15. ABCDE. 1) So B, D, and E; C inserts me. 2-2) So E; A: -g]ar; B: mu-u₈-[; C: mu-un-gal; D: mu-un-[. 16. ABCDE. 1) So D and E; C: me-DU. 2-2) So B, C, and probably E; D: um-mi-in-[. 17. ABCDE. 1) So C and E; B omits -na. 18. ABCDE. 1) So A, B, and C; E: ba-si-in-ti 19-25 1) The order followed in the present edition is that of E; for the order in the other texts, see chap. 5. 19. ABCDE. 1) See above. 2-2) So C^k and D; A: -T]UR!-la; B: ^na4za-gin-TUR-TUR; E: ^na4TUR-TUR. 3-3) So A, B, and C; E: ba-ni-in-la 20. ABCDE. 1) See above. 2) So A, B, C, and E; D: gaba!-na. 3-3) So C and E; A: ba-an-si; B: ba!-an-si. 21. ABCDE. 1) See above. 2-2) So C^k; B: ^[tug]pala-a túg-nam-nin-a; D: ^tugpala-a nam-nin-a; E: ^tugpala nam-nin-a. 3-3) So B, C^k, and E; A: bar-bi. 4-4) So A, B, and C^k; E: bi-in-dul
[22]	simbi(SIMxSIG₇) ²luhe-em-du he-em-du igi-na₃ ⁴ba-ni-in-gar⁴	She placed mascara (which is called) "Let a man come, let him come" on her eyes
[23]	tu-di-da2 lu ga-nu ga-nu 3gaba-na₃ ba-an-gid	She pulled the pectoral (which is called) "Come man, come" over her breast
[24]	har-guskin su-na ²ba-an-du₈²	She placed a golden ring on her hand
[25]	gi-dis-ninda es-gana-za-gin su2 3ba-ni-in-du₈3	She held the lapis lazuli measuring rod and measuring line in her hand
[26]	^dinanna kur-šè i-im-gen	Inanna travelled towards the netherworld
[27]	sukkal-a-ni dga-sa-an-subur-ra eger-a-na i-im-gen	Her major-domo, NinSubur, travelled behind her
[28]	1ku-^dinanna-ke₄¹ 2 3dnin-subur-ra eger-a-na i-im-gen	Inanna the pure said to Nin ubur
[29]	1ga-nu sukkal-zi-é-an-na-mu₁	"Come my faithful major-domo of (my temple) Eanna
*Notes for lines [22-29]* 22. ABCE. 1) See above. 2-2) So A, B, and C; E: lu he-em-du! omitting second he-em-du. 3) So C; A: ba-ni-ib-gar; E: ba!-ni-in-gar. 23. ABCDE. 1) See above. 2) So E; B and D: -túm. 3-3) So B; Ck: gaba-?-na; E: za-ga-na. 24. ABCDE. 1) See above. 2-2) The printed text is a conflation; A: [ba]-an-du₈; C: -d]u8; D: ba-ni-[; E: ba-ni-in-la. 25. ABCE. 1) See above. 2) So C and E; A: su-na. 3-3) So E; A: b]a-an-du₈; C: mi-ni-in-du₈ 26. ABCE. 1) So C; A, B, and E omit this line. 27. ABCE. 1) So C; A, B, and E omit this line. 28. ABCEE'. 1-1) So C and E'; E omits. 2) So A, C, and E'. E inserts sukkal-a-ni. 3-3) So A and E; C: dga-sa-an-[; E': dga-sa-an-subur-mu 29. ABCEE'. 1-1) So A, B, E, and E'; C: ge-en-ge-en-mu.
[30]	sukkal-é-ne-em-sa₆-sa₆-ga-mu	My major-domo (who speaks) consoling words
[31]	ra-gaba-é-ne-em-ge-en-ge-2-na-mu	My knight (who speaks) trustworthy words
[31a-31b]
[32]	u₄-da kur-šè¹ 2e11-dé-en²	When I have descended to the netherworld
[33]	u₄-da ¹kur-šè¹ ²gen-na-mu-de²	And when I have arrived in the netherworld I am going to give you [instructions]t my instructions must be [followed] I am going to say [something] to you [it must be] observed
[34]	ir du₆-du₆-dam ¹mar-mar-ma-ni-ib¹	Make a lament "for me In my ruined (temples)
[35]	sem gu-en-na ¹tuk-tuk-a-ma-ni-ib¹	Beat the drum for me in the sanctuary
[36]	[e]-dingir-re-é-ne 1nigin-na-ma-ni-ib	Make the rounds of the [temples] of the gods for me
*Notes for lines [30-36]* 30. ABCEE'. 1) So A, C, E, and E': B omits. 31. ABCEE'. 1) So A, C, E, and E'; B omits. 2) So A and E; C: -ge-en-na-mu. 31a. - 31b. B. 1) Having omitted 30-31, B substitutes: [na] ga-é-di₅ na-di₅-mu h[e-dab] [inim] ga-ra-ab-du₁₁ gizzal [he-em-si-ak] 32. ABCE. 1) So A and C; Es kur-šè!-am. 2-2) So At C: mu-un-e₁₁-[de]; E: e₁₁-dé-en-na. 33. ABCE. 1-1) So A, B, and C; E: ki-gu-ba!-as. 2-2) So B and C; A: e₁₁-dé-mu-de; E: ba-du-un-na-ta. 34. ABCE. 1-1) The printed text is a conflation; A and C: gar-gar-ma-ni-ib; B: mu-un-ga-ga; E: mar-mar-ma-ni. 35. ABCE. 1-1) The printed text is a conflation; A: ]-a-ma-ni-ib; B: mu-un-tuk-a; C: ]-ma-ni[; E: tuk-tuk-a-ma-ni. 36. ABCE. 1-1) So A and probably C; B: mu-un-na-nigin; E: nigin-na-ma-ni.
[37]	[i-bi-zu] hur-ma-ab kiri₄-zu hur-ma-ab	Scratch at [your eyes]j scratch at your nose
[37a¹]
[38]	ki mu-lu-da nu-di has₄-gal-zu hur-ma-ab	Scratch at your buttocks, the private place
[39]	mu-lu-nu-tuk-gin_x túg-dili-a mu₄-ma-ab	Like a pauper, clothe yourself in a single garment
[40]	e-kur-re é-^dmu-ul-lil-la'-Se me-ri-zu dili ¹[gub-mu-un]¹	And all alone [set] your foot in the Ekur, the temple of Enlil
[41]	[e]-kur-re é-^dmu-ul-lil-la-šè ku₄-ku₄-da-zu-de	When you have entered the [E]kur, the temple of Enlil
[42]	¹i-bi¹-^dmu-ul-lil-la-šè ir se₈-a²	Lament before Enlils
[43]	[a-a]-^dmu-ul-lil du₅-mu-zu mu-lu kur-ra nam-ba-da-an-gurum-e	'[Father] Enlil, don’t let anyone subjugate your daughter in the netherworld
[44]	ku-sa₆-ga-zu sahar-kur-ra-ka nam-ba-da-ab-sar-re	Don't let your precious metal be alloyed there with the dirt of the netherworld
*Notes for lines [37-44]* 37. ABCE. 37a. E. 1) E inserts a line which reads: [geštú ki]-u₆-di-zu [hur-ma-ab] 38. ABCE. 39. ABC. 40. ABC. 1-1) So probably C; A: ]-na; B: mu-un-[gub]. 41. ABC. 42. ABC. 1-1) So C; B: igi-. 2) So C; B: se₈-am 43. ABC. 44. ABC.
[45]	za-gin-sa₆-ga-zu za-zadim-ma¹-ka nam-ba-da-²an-si-il-si-il²	Don't let your precious lapis lazuli be split there with the mason's stone
[46]	^gistaskarin-zu gis-¹-nagar-ra-ka nam-ba-an² -dar-dar-e	Don't let-your boxwood be chopped up there with the carpenter's lumber
[47]	ki-sikil-^dga-[sa]-an-na kur-ra nam-ba-da-an-gurum!-e	Don't let young lady Inanna be subjugated in the netherworld'
[48]	u₄-da ^dmu-ul-lil é-ne-em-ba ¹nu-re-gub¹ uri^ki-šè gen-na	When Enlil does not help you in this matter, go to Ur
[49]	uri^ki é-mud-¹kur-ra-ka¹	In Ur, when you have entered the 'House of the well being of the land'
[50]	[e]-kis-[nu_x]-gal-^dnanna-šè ku₄-ku₄-da-[zu]-de	The Ekinugal, the temple of Nanna, 1
[51]	[i]-bi-^dnanna-šè ir se₈-a	Lament before Nannai
[52]	[a]-a-^dnanna du₅-mu-zu mu-lu kur-ra [nam-ba-da]-an-gurum-e	Father Nanna, don't let anyone subjugate your daughter in the netherworld
*Notes for lines [45-52]* 45. ABC. 1) So C; B: za-zadimpka. 2-2) So B; A: ]-ab-si-il-le. 46. ABC. 1) So B; C: gis-nam-nagar-. 2) So B; C: nam-ba-da-[. 47. ABC. 48. ABC. 1-1) So B and probably C; A: [nu]-mu-é-re-gub. 49. BC. 1-1) So B; C: é-mud-kalam-ma. 50. C. 51. C. 52. CF.
[53]	[ku-sa₆-ga]-zu sahar kur-ra-ka nam-ba-an-da-[sar]-re	Don't let your [precious metal]] be alloyed there with the dirt of the netherworld
[54]	[za-gin]-sa₆-ga-zu za-zadim-ma-ka nam-ba-da-an- ¹si-il-si-il¹	Don't let your precious [lapis lazuli] be split there with the mason's stone
[55]	[^gistaskarin-zu] gis-nam-nagar-[ra-ka] nam-ba-da-an-dar-dar-[re]	Don't let [your boxwood] be chopped up there with the carpenter's lumber
[56]	ki-si[kil-^d]ga-[sa-an-na kur-ra nam-ba]-da-an-gurum-e	[Don't] let young lady [inanna] be subjugated [in the netherworld]'
[57]	u₄-d[a ^d]nanna é-ne-em-[ba nu-re-gub] uru-ze-eb^ki-šè gen-na	And if Nanna does not [help you in this] matter, go to Eridu
[58]	uru!-ze-eb^ki é-^dam-[an-ki-ga-šè ku₄-ku₄-da-zu]-de	In firidu, when you [have entered] the temple of [Enki] I*-
[59]	¹[i-bi]¹-^dam-an-ki-ga-šè ir se₈-am	Lament [before] Enki:
[60]	²a-a²-^dam-an-ki du₅-mu-zu mu-lu kur-ra nam-ba-da-an-gurum-e	'Father Enki, don't let anyone subjugate your daughter in the netherworld
[61]	ku-sa₆-ga-zu sahar-kur-ra-ka nam-ba-an-da[sar-re]	Don't let your precious metal be [alloyed] there with the dirt of the netherworld
*Notes for lines [53-61]* 53. CF. 54. CF. 1-1) So F^k; C: -[si]-il-le 55. CEF. 56. CEF. 57. CEF. 58. CEF. 59. CEFG. 1-1) The printed text is a conflation; C: [i-bi-]; E: igi-a-[a-]; G: [igi]- 60. CEFG. 61. CEFG.
[62]	¹za-gin-sa₆-ga-zu za-zadim-ma-ka nam-ba-an-da- [si-il-si]-il	Don't let your precious lapis lazuli be [split] there with the mason's stone
[63]	^gistaskarin-zu gis-¹-nagar-ra-ka nam-ba-da-an-dar-[dar-re]	Don't let your boxwood be chop[ped up] there with the carpenter's lumber
[64]	ki¹-sikil-^d² ga-sa-an-na kur-ra nam-ba-da-an-gurum-e	Don't let young lady Inanna be subjugated in the netherworld'
[65]	a-a-^dam-am-an-ki-u-mu-un-mu-us-tug!-da!-ma-al-la-ke₄	Father Enki, the lord of great wisdom
[66]	u-nam-ti-la ¹mu-un-zu¹ a-nam-ti-la mu-un-zu	Knows about the life-giving plant and the lifegiving water
[67]	e-ne ma-¹-ra hu²-mu-un-ti-le-en	He is the one who will restore me to life"
[68]	^dinanna kur-šè ¹gen-n[a-ni-ta]¹	[When] Inanna travelled on towards the netherworld
[69]	²sukkal-a-ni² ^dnin-subur-ra-ke₄ eger-a-ni i-[im-gen]	Her major-domo, NinSubur, travelled on behind her
*Notes for lines [62-69]* 62. CEF. 1) So F; C and E: ^na4. 63. CEF. 1) So E; C: gis-nam-nagar-. 64. CEF. 1) So E and F; C: ki!. 2) So C; E omits DINGIR. 65. CEF. 66. CEFH. 1-1) So C and F; E omits. 67. CEFH. 1) So C; F: ma-a-ra. 2) So C; F and H probably omit. 68. CEFH. 1-1) So H; C: i-im-gen. 69. CEFH. 1) So E, F, and H; C omits this line. 2-2) So F; E and probably H omit.
[70]	²sukkal-a-ni²-^dnin-subur-ra gu mu-na-[de-e]	So she sa[id] to her major-domo, NiriSubur
[71]	¹gen-na ^dga-sa-an-subur-mu sa-[kesda he-ak]¹	"Go now, my Ninubur, and [obey] orders
[72]	²e-en- -a-ra-du₁₁-ga-mu² gu-zu la-ba-si-sub	Don't neglect the orders that I gave you"
[73]	^dinanna¹e-gal-ganzir¹-šè um-ma-te	When Inanna arrived at the palace Ganzir
[74]	^gisig-kur-ra-ka² su³-hul ba-an-us	She pushed aggressively, on the door of the netherworld
[75]	ka²-gal³-kur-ra-ka⁴ gu-hul ba-an-de	She shouted aggressively at the gate of the netherworld
[76]	e gal-u¹ni-du₈ e gal-u²	"Open up, doorman, open up
*Notes for lines [70-76]* 70. CEFH. 1) So C, E, and F; H omits this line. 2-2) So C and F; E omits. 71. CEFH. 1-1) The printed text is a conflation; C: gen-na ^dga-sa-an-subur-ra; E: gen-na ga-sa-an!-subur-mu s[ag-kesda he-ak]; H: [gen-na ^d]ga-sa-an- NIN -subur-mu sag-[kesda he-ak]. 72. CEFH. 1) So C, F, and H; E omits this line. 2-2) So C; H: [inim]-a-ra-an-du₁₁-ga. 73. CEFH. 1) So F; C: é-gal-IGI!.ZA.KUR-šè; E: é-IGI. ZA.KUR-šè; H: é-gal-IGI.KUR-šè. 74. CEFH. 1) So C, E, and F; H omits this line. 2) So C; E: -ke₄. 3) So also C (collated). 75. CEFH. 1) So C and E; F and H omit this line. 2) So E; C: é-. 3) So also C (collated). 4) So C; E: -ke₄ 76. CEFH. So also C (collated) and E; F: -lu. 2) So also C (collated).
[77]	e gal-u² ^dne-ti ³e gal-u³ dili-mu-šè ga-ku₄	Open up, Netti open up; I am all alone and I want to come in"
[78]	^dne-ti ni-du₈-gal-kur-ra-ke₄	Neti, the chief doorman of the netherworld
[79]	ku-^dinanna-ra1 inim2 mu-3-na-ni-ib-gi₄-gi₄	Answered Inanna the puret
[80]	¹a-ba-me-en za-e¹	"Who are you?"
[81]	me-e 1dga-sa-na-na1 ki-^dutu-é-a-as2	"I am Inanna, and (I am going) to the east"
[82]	tukum-bi za-e ^1dinanna¹ ki-^dutu-é-a-as	"If you are Inanna, and (you are going) to the east
[83]	a-na-am¹ ba-du-un kur-nu-gi4-šè	Why have you travelled to the Land of No Return?
[84]	¹-har-ra-an¹ lu-2du-be2 3 nu-gi₄-gi₄-de sa-zu a-gin_x tum-mu-un	What inclination has led you to take the road from which no traveller returns?"
*Notes for lines [-]* 77. CEFH. 1) So C and E; F and H write this as two lines with additions: ni-du₈ e gal-lu d[ne-ti e gal-lu] \| ni-du₈ e gal-lu dili-mu-šè ga-ku₄ 2) So also C (collated). 3-3) So also C (collated); E omits. 78. CEFH. 79. CEFH. 1) So C and E; F: -ke₄. 2) So E and H; C and F omit inim. 3) So E and F; C inserts -na-. 80. CEFHI. 1-1) So C, E, and F; H: a-ba-en za-é-me-en. 81. CEFHI 1-1) So C; E omits DINGIR; F and I: d-ga-sa-an-an-na. 2) So F; C: -šè 82. CEFI. 1-1) So C and E; F: AN.NA; I: dga-sa-an-an-na. 83. CEFI. 1) So C; E, F, and I omit -am. 84. CEFI. 1-1) Co C, F, and I; E: KASKAL. 2-2) So C; E: -ga!-as; F: du-u-be; I: -du-ba. 3) So C, F, and I; E inserts lu.
[85]	ku-^dinanna-ke₄ mu-na-ni-ib2-gi₄-gi₄	Inanna the pure answered him:
[86]	nin₉-gal1-mu ku2-d3ga-sa-an-ki-gal-la-ke₄4	"Gugalanna, the husband of my elder sister
[87]	mu₁ dam-a-ni u-mu-un-gu₄-gal-an-na ba-an-ug5-ga	EreSkigal the pure, has died--
[88]	1ki-si-ga-na1 i-bi du₈-u-de	to see his funeral rites
[89]	1kas-ki-si-ga-na gu-ul ba-ni-in-de ur5 he-na-nam-ma1	and to take partin his lavish wake--that is why (I. have come)"
[90]	^dne-ti ni-du₈-gal-kur-ra-ke₄	Netti, the chief doorman of the netherworld
[91]	ku-^dinanna-ra1 mu-na-ni-ib-gi₄-gi₄	Answered Inanna the pure
*Notes for lines [85-91]* 85. EFI. 1) So F and I; E omits the line. 2) So I; E: -ib. 86. EFI. 1) So F and I; E: -gu-la-. 2) So I; E and F omit ku-. 3) So F and I; E omits DINGIR. 4) So I; F omits -ke₄. 87. EFI. 1) So F and I; E omits mu. 88. EFI. 1) So F and I; E: ninda-si-ga-ne 89. CEFIJ. 1-1) The printed text is a conflation: C: ]x-si-ga-na[ E: kas-ki-si-ga-ne de!-de ur5 he-en-na-n[am-ma] F: kas-si-ga-na gu-ul ba-ni-in-de ur5-šè he-me-a I: [. . .]-si-ga-na gu-ul ba-ni-de ur5 he-na-nam-ma J: [. . .u]1 ba-ni-[ 90. CEFIJ. 91 CWFIJ. 1) So E and I; F: -ke₄.
[92]	1gub-ba-a1 ^dinanna nin-ga2 ga-an3-na-ab-du₁₁	"Stay here Inanna; I will speak to my mistress
[93]	nin-mu₁-^deres-ki-gal-la-ra2 ga-an-na-du₁₁ [inim-zu] ga-an-na-ab-du₁₁	I will speak to my mistress EreS’kigal and I will tell her what you said"
[94]	^dne-ti ni-du₈-gal-kur-ra-ke₄	Neti, the chief doorman of the netherworld
[95]	nin-a-ni-^deres-ki-gal-la-ra	Entered the house of his mistress EreSkigal and
[96]	e-[a-ni-šè ba]-si-in-ku₄ gu mu-na-de	said to. her;
[97]	nin-mu ki-sikil-dis-am	"My lady, there,is a lone girl (outside)
[98]	din[anna nin₉-zu é-gal-ganzir-šè um-ma-te	It is In[anna, your sister, and she has arrived at the palace Ganzir]
[99]	^gisig-kur-ra-ka su-hul ba-an-us]	[She pushed aggressively on] the door [of the netherworld]
[100]	[ká-gal-kur-ra-ka gu-hul ba-an-de]	[She shouted aggressively at the gate of the netherworld]
*Notes for lines [92-100]* 92. CEFIJ. 1) So E; F: gub-gub-ba!-ab. 2) So F and J; E: -mu. 3) So F; E and I omit. 93. CEFIJ. 1) So C and F; E: -ga-. 2) So F and I; J: -šè. 94. CEFIJ. 95. CEF. 96. CF. 97. CF. 98. C. 99. C. 100. C.
[101]	e-an-na [mu-un-šub kur-ra ba-é-a-e11]	[She has abandoned (her temple)] Eanna [and has descended to the netherworld.
[102]	me-imin-bi za [mu-ni-in-kesda]	[She has taken] the "seven" me's
[103]	me mu-[un-ur4-ur4 su-ni-šè mu-un-la]	[She has collected] the me's [and grasped them in her hand]
[104]	me- sar 1 giri-gub-ba-i-im-gen]	[She has come with all] (her) me's [in (her) possession]
[105]	tugsu-gúr-ra [men-denx-na sag-ga-na mu-un-gal]	[She has put] a ttirban, [the pure headdress, on her head]
[106]	hi-li sag-ki-na [su ba-si-in-ti]	[She has taken] a wig for her forehead
[107]	[na4za]-gin-d[i4-di4-la gu-na i-im-la]	[She has hung small lapis] lazuli [beads from her neck]
[108]	na4nunuz-tab-ba [gaba-na i-im-si]	[She has placed] twin egg-shaped beads [on her breast]
[109]	tug-pala-nam-nin-a [bar-ra-na i-im-dul]	[She has covered her body] with a pala dress, the garment of ladyship
*Notes for lines [101-109]* 101. CK. 102. CK. 103. CK. 104. CK. 1) C: me-DU 105. CK. 106. CK. 107-113 1) The order followed is that of L; for the order of the other texts, see chapter V above. 107. CKL. 1) See above. 108. CKL. 1) See above. 109. CKL. 1) See above.
[110]	simbi(SIMxSIG₇) lu-he-em-du igi-ni [i-im-gar]	[She has placed] mascara (which is called) 'Let a man come* on her eyes
[111]	tu-di-da lu ga-nu ga-nu gaba 2-[na i-im-gid]	[She has pulled] the pectoral (which is called) 'Come man, come' over her breast
[112]	har-guskin su-na i-i[m-la]	[She has placed] a golden ring on her hand
[113]	gi-dis-ninda es-gana-za-gin su-na i-i[m-du₈]	[She is holding] the lapis lazuli measuring rod and measuring line in her hand"
[114]	u₄-ba ^deres-ki-gal-la-ke₄ has-bar-bi ¹bi-in¹-ra	When (she heard this), Ereskigal slapped the side of her thigh
[115]	nundum zu bi-in-gub ka sa-šè ba-ti	She bit her lip, she . . .
[116]	1^dne-ti1 ni-du₈-gal-ni-ir gu mu-na-2de-e2	She said to Neti, her chief doorman*
[117]	ga-nu ^dne-ti ni-du₈-gal-¹kur-ra¹-mu	"Come Neti, my chief doorman of the netherworld
[118]	inim-¹a-ra-du₁₁-ga-mu₁ gu-zu ²la-ba-an-sub-be-e[n]²	Don't fail to do what I am going to tell you
*Notes for lines [110-118]* 110. CKL. 1) See above. 111. CKL. 1) See above. 2) L: za-[ga-na]. 112. CKL. 1) See above. 113. CKL. 1) See above. 114. CKLM. 1-1) So M; C: ba-an-[ 115. CKLM. 116. CIKLM. 1-1) So C; L omits. 2-2) So L; M: -ab-e. 117. CIKLM. So L; M omits. 118. CIKLM. 1-1) So C; I: -a]-ra-ab-[du₁₁-ga-mu; L: a-ra-ab-be-en-na-mu. 2-2) So L; M: US.SI.SU₈.ZU.
[119]	ká-gal-kur-ra imin-bi ¹^gissi-gar-bi¹ he-eb₂-us	Let all the seven gates of the netherworld be bolted
[120]	e-gal-ganzir¹ dili-bi ^gisig-bi su ha-ba-an-us	Then let each door of the palace Ganzir be opened separately
[121]	e-ne ku₄-ku₄-da-ni-ta1	And as for her: after she enters
[122]	gúr-gurum-ma-ni túg-zil-zil-la-ni-ta! lu! ba!- a[n-túm]	When she has been subjugated and her clothes stripped off, they will be [carried away]"
[123]	^dne-ti ni-du₈-gal-kur-ra-[ke₄]	Neti, the chief doorman of the netherworld
[124]	inim-nin-a-na-šè sag-kesda ba-si-[in-ak]	[was]] attentive to the instructions of his mistress
[125]	ká-gal-kur-ra imin-bi ^gis-gar-bi [bi-ib-us]	[He bolt]ed the seven gates of the netherworld
[126]	1e-gal-ganzir¹ dili-bi [gis-ig-bi su ba-an-us]	And then [he opened each of the doors] of the palace Ganzir separately
[127]	ku-^dinanna-ra gu mu-na-dé-[e]	He said to Inanna the pure
*Notes for lines [119-127]* 119. CIKLM. 1-1) So L and probably C and I; M omits. 2) So M; L: -eb-. 120. CIKLM. 1) So K and L; C and I: IGI.ZA.KUR 121. CIKLM. 1) So L; M: -ta!. 122. CIKL. 123. CIK. 124. CEK. 125. CEK. 126. CEK. 1-1) The printed text is a conflation; E: e-gal-IGI.ZA.KUR-[; K: ka-gal-IGI.KUR.ZA.IGI.KUR-ra-ka. 127. CEK.
[128]	ga-nu ^dinanna ku₄-um-[ma-ni]	Come on Inanna, and enter
[129]	^1dinanna¹ ku₄-ku₄-da-[ni-ta]	And [when] Inanna entered
[130]	^tugsu-gúr-ra men-eden-na sag-ga-na lu ba-da-an-²zi-ir²	The turban, the pure headdress, was removed from her head
[131]	¹ta-am-ne-e¹	"What's going on here?"
[132]	si-a ^dinanna me-kur-ra-ke₄¹ su al-du₇-du₇	"Be satisfied Inanna! The me's of the netherworld are being fulfilled
[133]	^dinanna garza-kur-ra-ke₄ ka-zu 2na-an-ba-e	Inanna, you must not open your mouth against the sacred customs of the netherworld!"
*Notes for lines [128-133]* 128. CEK. 129. CEK. 1-1) So E and K; C: e-ne. 129a-b K. K inserts: gi-dis-ninda es-gana-za-gin [, ka-gal-dis-kam-ma ku₄-[. 130; 135; 140; 145; 150; 155; 160. 1) See chapter V for a table of the difference in order of the items removed from Inanna in the various texts. 2-2) So C; L: ba-da-an-zil; P: ba-da-an-zi. 131; 136; 141; 146; 151; 156; 161. 1-1) So E and L; C, K, and O: ta-am-me-a; P: a-na-am-e-ne. 132; 137; 142; 147; 152; 157; 162. 1) So also K (collated). 133; 138; 143; 148; 153; 158; 163. 1) So E, L, M, and P; K and O omit -ke₄. 2-2) So L; C: [na-an-ba]-e-en; P: na-be-e.
[134]	ká-gal-min-kam-ma ku₄-ku₄-da-[ni-ta]	[When3 she entered the second gate The small lapis lazuli beads were removed from her neck
[135]	^na4za-gin-di₄-di₄ gu-na lu ba-da-an-²zi-ir²	"What's going on here?"
[136]	¹ta-am-ne-e¹	"Be satisfied Inanna! The me's of the netherworld are being fulfilled
[137]	si-a ^dinanna me-kur-ra-ke₄¹ su al-du₇-du₇	Inanna, you must not open your mouth against the sacred customs of the netherworld!"
[138]	^dinanna garza-kur-ra-ke₄¹ ka-zu ²na-an-ba-e²	When she entered the third gate
[139]	ká-gal-es⁵-kam-ma ku₄-ku₄-da-ni-ta	The twin egg-shaped beads were removed from her breast
[140]	^na4nunuz-tab-ba gaba-na lu ba-da-an-²zi-ir²	"What's going on here?"
[141]	¹ta-am-ne-e¹	"Be satisfied Inanna! The me's of the netherworld are being fulfilled
[142]	si-a ^dinanna me-kur-ra-ke₄¹ su al-du₇-du₇
[143]	^dinanna garza-kur-ra-ke₄¹ ka-zu ²na-an-ba-e²	Inanna, you must not open your mouth against the sacred customs of the netherworld !"
*Notes for lines [134-143]* 134. CEKLM. 135. 1) and 2-2) See above to 130. 136. 1-1) See above to 131. 137. 1) See above to 132. 138. 1) and 2-2) See above to 133. 139. EKL. 140. 1) and 2-2) See above to 130. 141. 1-1) See above to 131. 142. 1) See above to 132. 143. 1) and 2-2) See above to 133.
[144]	ká-gal-limmu-kam-ma ku₄-ku₄-da-ni-ta	When she entered the fourth gate
[145]	tu-di-da₂ lu ga-nu ga-nu 3gaba-na₃ lu ba-da-an- ⁴zi-ir⁴	The pectoral (which was called) "Come man, Come" was removed from her breast
[146]	¹ta-am-ne-e¹	"What's going on here?"
[147]	si-a ^dinanna me-kur-ra-ke₄¹ su al-du₇-du₇	He satisfied Inanna' The me's of the netherworld are being fulfilled
[148]	^dinanna garza-kur-ra-ke₄¹	Inanna, you must not open your mouth against the sacred customs of the netherworld!"
[149]	ká-gal-ia-kam-ma ku₄-ku₄-da-ni-ta	When she entered the fifth gate
[150]	har-guskin su-na lu ba-da-an-²zi-ir²	The golden ring was removed from her hand
[151]	¹ta-am-ne-e¹	"What's going on here?"
[152]	si-a ^dinanna me-kur-ra-ke₄¹ ka-zu ²na-an-ba-e²	"Be satisfied Inanna! The me's of the netherworld are being fulfilled
[153]	^dinanna garza-kur-ra-ke₄¹ ka-zu ²na-an-ba-e²	Inanna, you must not open your mouth against the sacred customs of the netherworld!"
*Notes for lines [144-153]* 144. EK. 145. 1) and 4-4) See above to 130. 2) See E; C, O, and P: -tum. 3-3) So O; E: za-ga-na; P omits. 146. 1-1) See above to 131. 147. 1) See above to 132. 148. 1) and 2-2) See above to 133. 149. CEOP. 150. 1) and 2-2) See above to 130. 151. 1-1) See above to 131. 152. 1) See above to 132. 153. 1) and 2-2) See above to 133.
[154]	ká-gal¹-as-kam-ma ku₄-ku₄-da-ni-ta	When she entered the sixth gate
[155]	gi-dis-ninda es-gana-za-gin ²su-[na]² lu ba-da-an-³zi-ir³	The lapis lazuli measuring rod and measuring line were removed from [[her] hand
[156]	¹ta-am-ne-e¹	"What's going on here?"
[157]	si-a ^dinanna me kur-ra-ke₄¹ su al-du₇-du₇	"Be satisfied Inanna! The me's of the netherworld are being fulfilled
[158]	^dinanna me kur-ra-ke₄² ka-zu ³na-an-ba-e³	Inanna, you must not open your mouth against the sacred customs, of the netherworld!"
[159]	ká-gal-imin-kam-ma ku₄-ku₄-da-ni-ta	When she entered the seventh gate
[160]	3[tug-pala]-túg-nam-nin-a³ bar-ra-na lu ba-da-an-⁴zi-ir⁴	[The oala dress], the garment of ladyship, was removed from her body
[161]	²ta-ma-ne-e²	"What's going on here?"
[162]	si-a ^dinanna me-kur-ra-ke₄² su al-du₇-du₇	"Be satisfied Inanna! The me's of the netherworld are being fulfilled
*Notes for lines [154-162]* 154. CEOP. 1) So C and O; P omits. 155. 1) and 3-3) See above to 130. 2-2) So O; E omits. 156. 1-1) See above to 131. 157. 1) See above to 132. 158. 1) So O and P; E omits this line. 2) and 3-3) See above to 133. 159. CEOP. 160. 1) and 4-4) See above to 130. 2) So C, O, and P; E omits this line. 3-3) So O; P: tug-NAM.EN.NA NAM.NIN.A. 161. 1) So C, O, and P; E omits this line. 162. 1) So C, O, and P; E omits this line. 2) See above to 132.
[163]	^dinanna garza-kur-ra-ke₄² ka-zu ³na-an-ba-e³	Inanna, you must not open your mouth against the sacred customs of the netherworld!"
[164]	¹gúr-gúr-gurum-ma-ni túg-zil-zil-la-ni-ta lu ma-an-túm1	When Inanna had been subjugated, the garments that had been removed were carried away
[165]	1nin₉-a-ni gisgu-za-ni-ta im-ma-da-an-zi1	Then her sister (Ere&kigal) rose from her throne
[166]	e-ne gisgu-za-ni-ta2 dur ³im-mi³-in-gar	And she (Inanna) took her seat on her (sister's) throne
[167]	da-nun-na di-ku5-imin-bi 1igi-ne-šè1 di ²mu-un-da-ku5-ru-ne²	The Anunnaki, the seven judges (of the netherworld), rendered their decision against her (Inanna)
*Notes for lines [163-167]* 163. 1) So C, O, and P; E omits this line. 2) and 3-3) See above to 133. 164. CEMOP. 1-1) The printed text is a conflation; E: gur-gurum-ma-ni tug!-zil-zil-la-ni [; O: [gur-gurum-ma]-ni tug-zil-zil-[la]-ni-ta lu [; P (as two lines): GIR.GIR-ma-ni ugu-za?-gal-tug! // zi-zi-la-ni lu ma-an-túm; M has an expanded version: tug-zil-zil-la-ni lu ma-[ // ta-am-[ // si-a ^dinanna me-kur-ra-ke₄ [su al-du₇-du₇] // ^dinanna garza-kur-ra-ke₄[ka-zu] na-be!-e // gur-gurum-ma-ni im-ma-da-an-te? 165. CEMOP. 1-1) The printed text follows M; C: ]-ni-in-[; E: nin-a-ni ^gisgu-za-ta [; O: [nin₉-a-ni ^deres-k]i-gal-la-ke₄ ^gisgu-za-na i-; P: [nin₉-a-ni ^gisgu]-za-ta 166. CEMOP. 1) So E, M, and P; C and O omit this line. 2) So E and M; P omits. 3-3) So M; P bi-. 167. CEMOP. 1-1) So O; M omits. 2-2) So P; M: mu-na-ku₅-ne.
[168]	igi mu-si-in-bar igi 2-us-a-kam	They looked at her with the look of death
[169]	inim 1i-ne-ne1 2inim-libis-gig-ga-am	They spoke to her with the speech of anger
[170]	gu 2i-ne-de2 3gu-nam-tag-tag-ga-am3	They shouted at her with the shout of guilt
[171]	2munus-tu-ra2 uzu-ni-sig-ga3-šè ba-an-ku₄	The afflicted woman was turned into a corpse
[172]	uzu-ni-sig-ga2 giskak-ta 3 lu 4ba-da-an-la4	And the corpse was hung on a hook
[173]	1[u₄-e]s5-gi6-es5-am1 2um-ta2-zal-la-ta	After three [days] and three nights had passed
[174]	sukkal-a-ni-dnin-subur-ra-ke₄	Her major-domo, Ninsubur
*Notes for lines [168-174]* 168. CEMOP. 1) So C, E, and O; M and P omit this line. 2) C and O: i-bi. 169. CEMOP. 1-1) So O; E: mu-un-ne; M: bi-ne; P: [bi-i]n-e-a. 2-2) So C, M and O; P inim-gig-ga in-e!. 170. CEMOP. 1) So C, M, and P; E and O omit this line. 2-2) So C^k; M: bi-in-de; P: mu-un-na-de-e. 3-3) So C^k; M: libis-gig-ga-am; P: inim-nam-tag-ga [in]-du₁₁. 171-172 1) So C, E, M, and O: For these lines P has a variant: ni-SU?-dal-la-gin_x dal-la lu [x x x x ^giskak]-ta ba-ni-in-[la]. 171. CEMOP. 2-2) So probably C and E; M: [x x] NI-in-ra. 3) So M; O omits. 172. CEMOP. 2) So C; O omits. 3) So C and O; M inserts igi-ni. 4-4) So C; M: mu-un-da-la; O: ba-an-ta-la 173. CEMOP. 1-1) So O; C^k omits -am; M: [mu]-imin-itu-imin-u₄-imin; P: itu-imin-kam. 2-2) So C; M: ba-; O and P omit. 174. CMOP. 1) So C and O; M omits.
[175]	inim-2nin-a-na-šè2 geštú ba-si-in-gub	carried out the instructions of her mistress
[176]	ir ¹du₆-du₆¹-dam ²mu-un-na-ga-ga²	She made a lament for her in (her) ruined (temples)
[177]	[se]m gu¹-en-na ²mu-un-tuk-a²	She beat the [drum] for her in the sanctuaries
[178]	e-dingir-re-é-ne-ke₄¹ mu-un²-na-nigin	She made the rounds of the temples of the gods for her
[179]	igi¹-ni² mu-un-[na]-hur kiri₄-ni mu-un-hur	She scratched at her eyes [for her]j she scratched at her nose
[180]	ki lu-da nu-u₆-di¹ has₄-gal-a-ni mu-un-na²-hur	She scratched at her buttocks, the private place, for her
*Notes for lines [175-180]* 175. CMOP. 1) So M and P; C omits; O substitutes 175a-b. 2-2) So M; P: ^dga-sa-an-na-ke₄. 175a-b. 1) O substitutes two lines for 175: [na-di5-[ga]-ni su nu-bar-re // [inim]-du₁₁-ga-ni gu-ni la-ba-si-sub 176. CMOP. 1-1) So M and O; P: du₁₁-du₁₁-. 2-2) So O; M: mu-un-na-gar-gar; P: ba-gar-ra-[. 177. CMOP. 1) So O; P: gu-. 2-2) So C and O; M: mu-un-na-tuk. 178. CMP. 1) So C; M omits. 2) So C^k; M omits. 179. CMP. 1) So P; C: i-bi-. 2) So C; P omits. 180. CMOP. 1) So P; M: -du₈. 2) So C; M omits.
[181]	mu-lu-nu-tuk-gin_x ¹tug-dili-a¹ i[m-ma]-an-mu₄	Like a pauper, she clothed herself in a single garment
[182]	[e-kur]-é-ed en 1-lil-la-šè giri-ni dili mu-un-gub	And all alone she set her foot in the [Ekur], the temple of Enlil
[183]	[e-kur]-é-d en 1-lil-la-šè giri-ni dili mu-un-gub	When she had entered the [Ekur], the temple of Enlil
[184]	[igi-den-lil-la]-šè ir im-ma-šè₈-šè₈	She lamented [before Enlil]*
[185]	[a-a-dmu-ul-lil] du5-mu-zu mu-lu kur-ra nam-ba-da-an-gurum-e	"[Father Enlil], don't let anyone subjugate your daughter in the netherworld
[186]	[ku]-sa6-ga-zu [sahar-kur-r]a-ka nam-ba-da-[an-sar-r]-e1	Don't let your precious [metal] be alloyed there with the [dirt of the netherworld]
[187]	[za-gin]-sa6-ga-zu za-zadim-ka nam-[ba-da-an]-1si-il-si-il1	Don't let your precious [lapis lazuli] be split there with the mason's stone
[188]	[gistaskarin-zu] gis-nagar-ra-ka nam-ba-[dar-da]-r-re1	Don't let [your boxwood be chopped up] there with the carpenter's lumber
[189]	[ki-sikil-d]ga-sa-an-na kur-ra nam-ba-da-[an]-gurum-e	Don't let [young lady] Inanna be subjugated in the netherworld"
*Notes for lines [181-189]* 181. CMO. 1-1) So C and O; M: tug!-dis-a. 182. CO. 1) O: -^dmu-ul-. 183. CO. 1) O: -^dmu-ul-. 2-2) C^k has an illegible variant. 184. CO. 185. CEO. 186. CEO. 1) So C; O: -r]e. 187. CEO. 1-1) So O; C^ksi-il-le. 188. CEO. 1) So C; O: -e. 189. CEO.
[190]	[a-a-d]en-lil-1libis-bal-a-ni1 dnin-subur-ra-ke₄	In his rage [Father] Enlil answered NinSubur*
[191]	[dumu-mu] an-gal al bi-1in-du₁₁1 ki-gal2 al bi-in-du₁₁	"[My daughter] craved the great heaven and she craved the great below as well
[192]	[^dinanna] an-gal al bi-in-du₁₁ ki-gal1 al bi-in-du₁₁	[Inanna] craved the great heaven and she craved the great below as well
[193]	me-kur-ra me al 1nu-di-da1 sa2 bi-in-du₁₁-[ga-bi-kur-r]e he-eb-us	The me's of the netherworld are me's which are not to be coveted, for whoever gets [them] must remain [in the netherworld]
[194]	2a-ba-am ki-bi sa in-na-an-du₁₁ [e11-de] al mu-ni-ib-du₁₁2	Who, having gotten to that place, could then (realistically) want [to come up again]?"
[195]	a-a-den-lil inim-bi nu-mu-na!-gub uriki-[se] ba-gen1	Thus Father Enlil did not help her in this matter, so she went [to] Ur
[196]	uriki [e-mud]-kur-ra-ka	In Ur, when she had [entered the "House of the well being] of the land"
*Notes for lines [190-196]* 190. CEO. 1-1) So E; O probably omits. 2) So O; E inserts -un-. 191. CEO. 1-1) So O; E: bi- in-du₁₁. 2) So E; O adds -la. 192. CEO. 1) So E; O adds -la. 193. CEO. 1) So E; O is illegible. 2) So O; E: sa!. 194. CEO. 1) So C and O; E omits. 2-2) The printed text is a conflation; C^k: ]al mu?ni-ib-du₁₁. O: a-ba-am ki-gal! sa in-na-an-du₁₁ [. 195. CEO. 1) So E; C: -du-un. 196. CEO. 1) So C and O; E omits this line.
[197]	e-kis-nux-gal [e-dnanna-šè ku₄-ku₄-da-ni]-ta	The Ekisnugal, [the temple of Nanna]
[198]	igi-dnanna1-šè ir [im-ma]-šè₈-šè₈	She lamented before Nannas
[199]	a-a-dnanna du5-mu-zu mu-lu kur-ra nam-[ba]-da-an-gurum-e	"Father Nanna, don't let anyone subjugate your daughter in the netherworld
[200]	ku-sa6-ga-zu sahar!-kur!-ra-ka nam-ba-1[an-da]1-sar-re	Don't let your precious metal be alloyed there with the dirt of the netherworld
[201]	na4za-gin-sa6-ga-zu 1za-zadim-ma-ka1 nam-ba-[da-an]- si-il-si-il-i	Don't let your precious lapis lazuli be split there with the mason's stone
[202]	gistaskarin-zu gis-nagar-ra-ka [nam-ba]-da-[an-dar-dar]-re	Don't let your boxwood be [chopped up there] with the carpenter's lumber
[203]	ki-sikil-dga-sa-an-na kur-ra nam-ba-da!-[an]-gurum-e	Don't let young lady Inanna be subjugated in the netherworld"
[204]	a-a-dnanna-libis-bal-a-ni [dnin-subur-ra-ke₄ mu-na-ni]-ib-gi₄-gi₄	In his rage Father Nanna answered [Ninsubur]»
*Notes for lines [197-204]* 197. CEO. 1) So C and O; E omits this line. 198. CEO. 1) So O; E: -^dsuen-na-. 199. CEO. 200. CEO. 1-1) So probably E; C: -ni-. 201. CEO. 1-1) So C; E: za-dim-e 202. CEO. 203. CEO. 204. CEO.
[205]	dumu-mu an-gal al! bi-in-du₁₁ [ki-gal] al bi-in-du₁₁	"My daughter craved the great heaven and she craved [the great below] as well
[206]	^dinanna an-gal al bi-in-du₁₁ [ki-gal] al [bi]-in-du₁₁	Inaiina craved the great heaven and she craved [the great below] as well
[207]	me-kur-ra me al 1 mu-di-da s[a bi-in-du₁₁-ga-bi kur-r]e he-eb!-us	The me's of the netherworld are me's which are not to be coveted, for [whoever gets them] must remain [in the netherworld]
[208]	a-ba!-am ki-bi [sa in-na-an-du₁₁ e11-de al mu-ni-ib-du₁₁]	Who, having gotten to that place, [could then (realistically) want to come up again]?"
[209]	a-a-dnanna inim-bi nu-m[u-na-gub uru-ze-ebki-šè b]a-gen	Thus Father Nanna did not [help her] in this matter; so she went [to Eridu]
[210]	uru-ze-ebki é-den-ki-ga-šè [ku₄-ku₄]-da-ni-ta	In Eridu, when she had [entered] the temple of Enki [She la]mented before Enki*
[211]	igi-den-ki-ga₁-šè [ir im-m]a-šè₈-šè₈	"Father Enki, don’t let anyone subjugate your daughter [in the netherworld]
[212]	a-a-1dam-an1-ki du5-mu-zu mu-lu [kur-ra nam-ba-d] a-an-gurum-e	Don't let your precious metal be [alloyed there ] with the dirt of the netherworld
*Notes for lines [205-212]* 205. CEO. 206. CEO. 207. CEO. 1) So E; C^k inserts me al. 208. CE. 1) So C; E omits this line. 209. CE. 210. CE. 1) So C^k; E omits this line. 211. CEO. 1) So C^k; E omits. 212. EQ. 1-1) E: -^den-.
[213]	ku-sa₆-ga-zu sahar-kur-ra-ka1 nam-[ba-an-da-sar]-re	Don't let your precious lapis lazuli be [split] there with the mason's stone
[214]	na41-za-gin-sa6-ga-zu ²za-zadim-ka² nam-ba-da-an-[si-il-si]-il-i	Don't let your boxwood be chopped up there with the carpenter's lumber
[216]	ki-sikil-d1ga-sa-2-an-na kur-ra nam-ba-da-an-gurum-e	Don't let young lady Inanna be subjugated in the netherworld"
[217]	a-a-den-ki dnin-subur-ra-ke₄ mu-un-na-ni-ib-gi₄-gi₄	Father Enki answered N insuburi
[218]	dumu-mu a-na bi-in-ak ga-e mu-un-kus-u	"My daughter.' What has she done? I am tired (of this)
[219]	^dinanna [a-na] bi-in-ak ga-e mu-un-kus-u	Inanna! [What] has she done? I am tired (of this)
[220]	nin-kur-kur-r[a-ke₄] a-na bi-in-ak ga-e mu-un-kus-u	The queen of all the lands! What has she done? I am tired (of this)
[221]	nu-u₈-gi[g-a]n-na-ke₄ a-na bi-in-ak ga-e mu-un-kus-u	The heirodule of An! What has she done? I am tired (of this)"
*Notes for lines [213-221]* 213. EQ. 1) So Q; E: -ke₄ 214. EQ. 1) So E; Q omits. 2-2) So Q; E: za-dim-e. 215. EQ. 1-1) So Q; E: nam-ba-da-dar-re. 216. EQ. 1) So Q; E omits DINGIR. 2) So E; Q inserts -an-. 217. EQ. 1) So Q; E omits this line. 218. EQ. 1) So Q; E omits this line. 219. EQ. 1) So Q; E omits this line. 220. EQ. 1) So Q; E omits this line. 221. EQ. 1) So Q; E omits this line. 221a. 1) E inserts: a-a-^den-ki inim-bi ba-e-ne-gub.
[222]	umbin-si-ni mu-sir ba-ra-an-túm kur-gar-ra-as1 ba-an-dim	He removed some dirt from the tip of his fingernail and created the kur-aar-ra
[223]	umbin-si1-mina2-kam-ma3 mu-sir ba-ra-an-túm gala-tur-ra-as4 ba-an-dim	He removed some dirt from the tip of his other fingernail and created the aala-tur-ra
[224]	kur-gar-ra u-nam-ti-la ba-an-sum	To the kur-aar-ra he gave the life-giving plant
[225]	gala-tur-ra a-nam-ti-la ba-an-sum	To the aala-tur-ra he gave the life-giving water
[226]	²[a-a]²-den-ki₃ gala-tur-ra₄ kur-gar-ra gu mu-⁵-na-[de-e]	Then [Father] Enki spoke [out] to the gala-tur-ra and the kur-aar-rat
[227]	gen-na-an-ze-en 1 giri kur-šè na-ba-an-ze-en	"Go and direct your course to the netherworld!
[228]	^gisig₁ nim-gin_x dal-dal-é-dé-en-ze-en	Flit about the door like flies!
*Notes for lines [222-228]* 222. EQ. 1) So E; Q omits. 223. EQ. 1) So Q; E omits. 2) So E; Q: mina!. 3) So E; Q adds -na. 4) So E; Q omits. 224. EQR. 1) So Q and R; E omits this line. 225. EQR. 1) So Q and R; E omits this line. 226. EQR. 1) So E and Q; R omits this line and substitutes 226a. 2-2) So probably Q; E omits. 3) So Q; E adds -ke₄. 4) So E; Q omits. 5) So E; Q inserts -un-. 226a. 1) R substitutes for 226: dis-am u-nam-ti-la dis-am a-nam-ti-la ugu-ni-a sub-ba-ab-ze-en. 227. EQR. 1) So E and Q; R inserts gala-tur-kur-gar-ra 228. EQR. 1) So E and R^k; Q adds -a. 2-2) So Q; E: u-mu-un-dal-dal-ze-en.
[229]	za-ra lil1-gin_x ²gúr-gúr-re-dé-en-ze-en²	Slip in through the (cracks by the) door pivots like spirits!
[230]	ama-gan-e nam-dumu-ne-ne-šè
[231]	^deres-ki-gal-la-ke₄ i-na-na-ra-am	A pregnant woman, EreSkigal by name, is lying there in labor (?)
[232]	ur5-ku-ga-na1 gada nu-un-bur	Her.pure body is not covered by any cloth
[233]	gaba-ni bur-sagan-gin_x1 ²nu-un-gid²	Her breasts are not full and developed like a Sagan vessel
[234]	X X-ni SID.LUL.BI-gin_x an¹-da-gal	Hor • # • is • • • like a • • •
[235]	sig-ni ga-rasar-gin_x sag-ga-na mu-un-ur₄-ur₄	She is plucking out the hair of her head like leeks
[236]	1u-u81-a sa-mu ²du₁₁-ga-ni²	And when she says 'Oh! My belly!'
[237]	kus-u-me-en nin-me a-sa-zu ¹[du₁₁-ga-na-ab-ze-en]¹	[You say to her]t 'Lady of ours, you are tired! Woe is your belly!'
*Notes for lines [229-237]* 229. EQR. 1) So probably Q (collated); R: lil!. 2-2) So Q; E: u-mu-un-gur-gur-re-en-ze-en; R: gur-gur-mu-[. 230. EQR. 231. EQ. 232. EQS. 1) So Q; E: -ne. 233. EQS. 1) So E and S; Q: -na. 2-2) So E and Q; S: nu-um-bur!?-re 234. EQS. 1) So E; S: am-. 235. EQS. 236. EQS. 1-1) So E; S: u₄-. 2-2) So E and probably Q; S: bi-[in]-du₁₁-ga-am 237. QS. 1-1) Restored from 239 in Q; S: ]GA.NE[.
[238]	¹[u-u₈]¹-a bar-mu ²du₁₁-ga-ni	And when she says '[p]h! my back!'
[239]	kus-u-me-en nin-me a-bar-zu ¹du₁₁-ga-na-ab-ze-en¹	You say to her: 'Lady of ours, you are tired! Woe is your back!'
[240]	a-ba-am₁ za-é-me-en-ze-en	(She will then say to you) 'Who are you?
[241]	sa-mu-[ta]¹ sa-zu₂-šè bar-mu-ta3 bar- zu 4-šè 5ba-é-dé-en-ze-en 5	(Who) is echoing my cry of pain?
[242]	dingir he-me-en-ze-en inim ga-mu-ra-an-du₁₁	Should you be divine, I will promise you something
[243]	lu-ulu he-me-en-ze-en nam-zu-ne he-eb-tar-re	Should you be mortal, I will decree a (good) fate for you'
[244]	zi-an-na zo-k[i-a] pa-dé-ne-ze-na-am	Make her swear this by heaven and by earth
[245]	e₁₁??-[ X X X X ]-ab-ze-en	• • •
[246]	a i₇-bi ¹[mu-un]-na-ba-é-ne¹ su ²nam-[ba]-gid-i-en-ze-en²	Should they offer you a whole river as a drink, don't accept it
*Notes for lines [238-246]* 238. QS. 1-1) So probably Q; S: u₄-. 2-2) So Q; S: bi-in-du₁₁-ga-am 239. QS. 1-1) So Q; S: ]GA.NE[. 240. QS. 1) So S; Q: a]m!?. 241. QS. 1) So probably Q; S omits. 2) So Q; S: -mu-. 3) So Q; S omits. 4) S: -mu-. 5-5) The verb is restored from 268; Q: ]KA.E[; S: X X X-ab-NE[. 242. 243. 244. 245. QS. 1) So Q; S omits this line. 246. QS. 1-1) So Q; S: ma-ra-ba-ne. 2-2) So Q; S: nu-[um]-gid-de.
[247]	a-sa se-ba 1mu-un-na-ba-é-ne¹ su ²nam-ba-gid-i-en-ze-en²	Should they offer you a whole field of grain as a meal, don't accept it
[248]	uzu-ni-sig-ga1 giskak-ta-la ²sum-me-ab² ³du₁₁-ga-na-ab-ze-en³	But say to heri 'Give'us that corpse that is hanging on that hook'
[249]	uzu-ni-sig-ga ga-sa-an- zu -ne-ne	(She will answer) 'That's the corpse of your mistress!'
[250]	ni-lugal-me en he-a ni-nin!-bi he-a sum-ma-ze-en du₁₁-ga-ma-ab-men-ze-en	You say to heri 'Whether it is that of our king or that of our mistress, give it to us anyway
[251]	uzu-ni-sig-ga giskak-ta-la-a im-ma-da-ab-sum-mu-ze-en	Then they will give you that corpse that was hanging on the hook
[252]	dis-am u-nam-ti-la dis-am a-nam-ti-la ugu-na sub-bu-dé-en-ze-en	Thereupon, one of you sprinkle it with the lifegiving plant, and the other with the life-giving water
[253]	^dinanna ha-ba-gub	And thus let Inanna arise"
*Notes for lines [247-253]* 247. QS. 1-1) So Q; S: ma-ra-ba. 2-2) So Q; S: nu-um-gid-de. 248. QS. 1) So S; Q omits. 2-2) So Q; S: sum-ma-ab-ze-en. 3-3) So Q; S: du₁₁-ga-ma-ab-men-ze-en 249. QS. 1) So S; Q omits. 250. QS. 1) So S; Q omits. 251. QS. 1) So S; Q omits. 252. Q. 252ff. S skips the execution of Enki's instructions (252-279). This is indicated by a wedge in the margin of the text. 253. QRT.
[254]	gala-tur-kur-gar-ra inim-den-ki-ga!-šè! sag-kesda ba-[si-in]-ak-es	The gala-tur-ra and the kur-gar-ra were attentive to the instructions of Enki
[255]	^gisig nim-gin_x ¹mu-un-dal-dal- es¹	They flitted about the door like flies
[256]	za-ra lil-gin_x ¹mu-un-gúr-gúr- es¹	They then slipped through the (cracks by the) door pivots like spirits
[257]	[ama-gan-e] nam-dumu-ne-ne-šè
[258]	[^deres-ki-gal-la-ke₄ i-na-na-ra-am	[The pregnant woman, Ere£ki}gal by name, was lying there in labor (?)
[259]	[ur5]-ku-[ga]-na gada nu-un-bur	Her pure [body} was not covered by any cloth
[260]	[gaba-ni] bur-sagan-na nu-un-gid	Her breasts were not full and developed like a Sagan vessel
[261]	[X X]-ni SID.LUL.BI-gin_x a[n-da-gal]	Her . . • was . . . like a . . .
[262]	[sig]-ni ga-rassar-gin_x sag-[ga-na mu-un-ur₄-ur₄]	[She was plucking out the hair of her} head like leeks
[263]	[u-u8-a s]a-mu₁ du₁₁-ga-ni	When she said "[Oh!} My belly.”'
*Notes for lines [254-263]* 254. RT. 255. RT. 1-1) The printed text is a conflation; R: mu-un-d[al-dal]-ze-en; T: dal-dal-[ 256. RT. 1-1) The printed text is a conflation; R: mu-un-gur-gur-ze-en; T: gur-gur-re-de-[ 257. RT. 258. TT'. 259. TT. 260. TT'. 261. TT'. 1) So T'; T omits this line. 262. TT'. 1) So T'; T omits this line. 263. TT. 1) So T; T': -zu.
[264]	[kus-u-me]-en nin-me a-sa-zu in-na-[ne]-es	They [said} to her* "Lady of ours, you [are tired!] - Woe is your belly!"
[265]	[u-u8-a] bar-mu du₁₁-ga-ni	When she said M[0h!] My back!"
[266]	[kus-u-me]-en nin-me a-bar-zu 1in-na-ne-es1	They said to her: "Lady of ours, you [are tired!] Woe is your back!"
[267]	[a-ba-am] za-é-me-en-ze-en	(She said to them) "[Who} are You?
[268]	[sa-mu-ta] sa-zu-šè bar-mu-ta bar-¹zu-šè¹ ²ba-é-dé-en-ze-en²	(Who) is echoing my cry of pain?
[269]	[dingir he-me-en]-ze-en inim ¹ga-mu-ra-an-du₁₁¹	[Should you be divine,] I will promise you something
[270]	[lu-ulu he-me-e]n-ze-en nam ¹ga-mu-ri-ib-tar¹	[Should you be mortal,] I will decree a (good) fate for you"
[271]	[zi-an-na zi-ki-a] ¹mu-ni-in-pa-dé-es¹	They made her swear this [by heaven and by earth]
[272]	¹[. . .DU6 .]DU-dé-de-es¹	They . « . .
[273]	i₇ a-ba ¹mu-ne-ba-e¹ su ²nu-um-ma-gid-de	She offered them a whole river as a drink, but they didn't accept it
*Notes for lines [264-273]* 264. TT'. 1) So T; T' omits this line. 265. MTT'. 266. MT. 1-1) So T; M: mu-na-an-es. 267. MT. 268. MT. 1-1) So T; M: -mu. 2-2) So T; M: ] X.BI-en-ze-en. 269. MT. 1-1) The printed text is a conflation; M: [ga]-mu-ri-d[u₁₁]; T: ga-mu-ra-an-du₁₁-en-ze-en. 270. MT. 1-1) So M; T: ga-mu-ri-ib-tar-en-ze-en. 271. MT. 1-1) So M; T: ]-de-en-ze-en. 272. MT. 1-1) So M; T: ]-ze-en. 273. MTU. 1-1) So M; U: mu-na-ba-e-ne. 2-2) So M; U: nu-ma-gid-de-ne
[274]	a-sa se-ba ¹mu-ne-ba-e¹ su ²nu-um-ma-gid-de²	She offered them a whole field of grain as a meal, but they didn't accept it
[275]	uzu-ni-¹sig-ga¹ ²giskak-ta-la² sum-me-eb in-na-an³ -ne-es	They said to her "Give us that corpse that is hanging on that hook"
[276]	²ku-^deres-ki-gal-la-ke₄² ³ga[la-tur-kur-gar-ra]³	EreSkigal the pure answered the gala-tur-ra and the kur-gar-rai
[277]	uzu-ag¹-sig-ga² ag³-ga-sa-an-zu⁴-ne-ne-kam⁵	"That's the corpse of your mistress"
[278]	¹[ni-lu]gal-me ni-nin-me he-a sum-me-eb in-na-an-ne-es¹	They said to her "Whether it is [that of our ki]ng or that of our mistress, give it to us anyway"
[279]	uzu¹-ni-sig-ga² giskak-ta-la³ ⁴im-me-ne-sum-us⁴	So they gave them that corpse that was hanging from the hook
*Notes for lines [274-279]* 274. MTU. 1-1) So M; U: mu-na-ba-e-ne. 2-2) So M; U: nu-ma-gid-de-ne. 275. MUV. 1-1) So U; M: -sig!-ga! 2-2) So U and V; M: ^gisdal-ta dal-la-a. 3) So M; U omits. 276. MUV. 1) So U and V; M omits this line. 2-2) So V; U: a-ne. 3-3) So V; U omits. 277. MUV. 1) So V; M and U: -ni-. 2) So M and U; V: -me. 3) So V; M and U: ni-. 4) So U; M omits. 5) So M; U: -ka. 278. MUV. 1-1) The printed text is a conflation; M: [ni-lu]gal-me uzu!-ni-nin-me he-me-a sum-me-eb in-na-ne-es; U: ni-sig-ga ni-nin-me he-a sum-me-eb in-na-an-ne-es; V: uzu-ni-sig! he!-me-a ag-nin-[ . . .] sum-me-eb in-na-[. 279. UV. 1) So V; U omits. 2) So U; V omits. 3) So U; V adds -a. 4-4) So V; U: ba-an-sum-ne.
[280]	dis-am1 u-nam-ti-la dis-am2 a-nam-ti-la ugu-na 3bi-in-sub-bu-us3	Thereupon one of them sprinkled it with the lifegiving plant and the other with the life-giving water
[281]	dinann ¹ba-gub¹	And thus Inanna arose
[282]	^deres-ki-gal-la gala- tur -kur-gar-ra [gu mu-na-de]-e	Ereskigal [said] to the gala-tur-ra and the kur-gar-rai
[283]	tum-mu-un-ze-en ga-sa-an- zu -ne-[ne X X X X]	"Take your mistress; . . ."
[284]	^dinanna inim-den-ki-[ga-šè k]ur-ta e₁₁	Inanna, [because] of the plan of Enki, was rising from the netherworld
[285]	^dinanna kur-ta ¹e₁₁-da-ni¹	However, as she was going up
[286]	da-nun-na-ke₄-e¹-ne ba-ab-²na-za-as²	The Anunnaki siezed her (saying)i • • -*u
[287]	a-ba-am lu kur-ta ¹e₁₁-de¹ kur-ta² silim-ma-ni³ ⁴e₁₁-de⁴	"Who has ever risen from the Netherworld? Who has ever risen from the netherworld alive?
*Notes for lines [280-287]* 280. SUV. 1) So S and U; V omits. 2) So S and U; V omits. 3-3) So V; S: ba-an-sub-bu-es; U: ba-an-sub 281. SUV. 1-1) So S and V; U: gub-ba 282. SUV. 1) So S; U and V omit this line. 283. SUV. 1) So S; U and V omit this line. 284. SUV. 1) So S; U and V omit this line. 285. SUV. 1-1) So S; V: ba-e₁₁-de; U: e₁₁!-da-ni. 286. SUV. 1) So U; V omits. 2-2) So V; S: -ha-za-as!; U: -ha-ha-za!-as. 287. STUV. 1-1) So V; S: im-ta-e₁₁-de; U: e₁₁-ta-de. 2) So S and U; V: kur-ra. 3) So S and U; V: -bi. 4-4) So V; S: bi-in-e₁₁-de; U: um-ta-e₁₁-de
[288]	u₄-da ^dinanna kur-ta ba¹-e₁₁-de	If Inanna wants to rise from the netherworld
[289]	sag-dili sag-ga¹-na ²ha-ba-ab-sum-mu² ³	Let her furnish a substitute for herself"
[290]	^dinanna kur-ta ba-e₁₁-de	So when Inanna left the netherworld
[291]	lu igi-na sukkal-nu-me-a ^gis1gidri² su³ bi-in-du₈	The one in front of her, though not a major-domo, held a sceptre in his hand
[292]	bar-ra-na ra-gaba-nu-¹-me-a gistukul ur-ra ²bi-in-la²	The one behind her, though not a knight, carried a mace on his hips
[293]	gal₅-la-tur-tur gi-sukur-gin_x2	Small demons like a corral
*Notes for lines [288-293]* 288. STUV. 1) So V; S: bi-; U omits. 289. STUV. 1) So S and U; V: -a-. 2-2) So U and V; S: ba-ab-sum-de. 3) U glosses: ma-ni-ma. 290. STUV. 1) So T and V; S and U omit this line. 290a-b. 1) See the note to lines 293-4 291. STUV. 1) So U and S; V omits. 2) So U and V; S: tukul. 3) So T, U, and V; S adds -na. 292. STUV. 1) So S and T; U inserts -MIN-. 2-2) So T; S: bi-in-du₈; U: i-ni-in-la; V: mu-un-[X]. 293-4. 1) These lines occur in different places in the various texts; the printed text follows the order of S and U; T has these lines after 305; V has these lines after 290. 293. STUV. 3) U glosses: ki-ma ga-an gu-ub-ri
[294]	gal₅-la-gal-gal gi-dub-ba-an²-na-gin_x³ za-ga-na ⁴ba-an-dab₅-be-es⁴	Big demons like guardhouses, clung to her side
[295]	²lu é-ne-ra² ³in-si-re₇-es-am³	Those who accompanied her
[296]	lu ^dinanna-ra² ³in-si-re₇-es-am³	Those who accompanied Inanna
[297]	u nu-zu-me-es a nu-zu-me-es	Know no food; know no drink
[298]	zi-dub-dub-ba nu-ku-¹-me-es	Eat no grain offering
[299]	a-bal-bal-a¹ nu-na₈-na₈-me-es	Drink no libation
[300]	kadra ni-du₁₀-ge su nu-gid-me-es	Accept no nice gifts
*Notes for lines [294-300]* 294. STUV. 2) So U; S and V omit. 3) So U; S omits; T: -ka; V: -ke₄. 4-4) So V; : S: um-da[b₅-be-es]; U: ba-ab- dab₅ -be-es. 295. STUV. 1) So S, U, and V; T omits this line. 2-2) So V; U: lu-u₆-ne lu. 3-3) So V; U: mu-un-de-re₇^re- es-am. 296. TUV. 1) So S, U, and V; T omits this line. 2) So V; U omits. 3-3) So V; U: mu-e-si-re₇^re-es-am. 297. TUV. 298. TUV. 1) So U and V; T inserts -u-. 299. TUV. 1) So T and U; V omits. 300-305 TUVW. Cf. 364-367. 1) So U; T: [kadra ni-du₁₀]-ge su nu-gid-i-me-es // [ur-lu]-ka dam su ti-a-me-es // [ubur-um-me-da-g]a-la dumu su ti-a-me-es // [tes n]u tuk a-ra-zu tes nu-zu // [. . . g]e UL mu-un-ur₄-ur₄-re-es
[301]	ur-dam ni-du₁₀-ge-es nu-si-ge-me-es	Never enjoy the pleasure of sexual intercourse
[302]	dumu ni-ku₇-ku₇-da ne nu-su!-ub-ba-me-es	Never have any sweet children to kiss
[303]	dam ur-lu-ka ba-ra-an-si-il-si-il-le-es	But tear the wife away from her husband during intercourse
[304]	dumu-lu du₁₀-ub-ta ba-ra-an-zi-ge-es	Carry off children from their father’s knees
[305]	e-gi⁴-a é-usbarx(URxX)-ra-ka im-ta-an-é-es-am	And remove the bride from her marriage chamber
[306]	^dinanna kur-ta e₁₁¹-da-ni	As Inanna was rising from the netherworld
[307]	¹ dnin-subur-ra²-ke₄ giri-ni-šè ba-an³-sub	NinSubur threw herself at her feet 9
*Notes for lines [301-307]* 300-305 continued: V: [u]r-lu-ka dam su ti-a-me-es // [ub]ur-um-me-da-la-ka dumu su ti-a-me-es // The text of W is very broken; the first legible lines of the obverse read: [dam ur]-lu-ka ba-ra-a[n-si-il-si-il-le-es] // [. . .]-na-ka [. . .] // [^dinanna] kur-ta e₁₁-[da-ni (=306) 305 a-b. See the note to lines 293-4. 305c. V inserts: ^dinanna kur-ta ba-e₁₁-de 306. TUVW. 1) So T and V; U: e₁₁!-. 307. TUVW. 1) So T, U and probably W; V probably inserts: [sukkal-a-ni]. 2) So T, U and W; V omits. 3) So T and V; U omits.
[308]	sahar-ra¹ ba²-da-an-tus túg-mu-sir-ra ba-an-mu₄	Clothed in rags, she wallowed in the dust
[309]	gal₅-la-é-ne ku-^dinanna-ra¹ gu mu-un²-na-dé-e	The demons cried out to Inanna the pure*
[310]	^dinanna uru-zu-šè gen-ba ¹e-ne¹ ga2-ba-ab-túm-mu³-dé-en	"Go home to your city Inanna* we will take this one back"
[311]	ku1-^dinanna-ke₄ gal₅-la-é-ne ²mu-un-ne-ni-gi₄-gi₄²	Inanna the pure answered the demons:
[312]	sukkal-é-ne-em-sa₆-sa₆-ga-mu	"This is my major-domo (who speaks) consoling words
[313]	ra-gaba-é-ne-em-ge-en-ge-na-mu	My knight (who speaks) trustworthy words
[314]	[na]-di₅-ga-mu su nu-un-bar-re	She did not forget my instructions
[315]	[e-ne]-em-[du₁₁]-ga-mu-us gu-ni [la]-ba-da-[an-si-sub]	She did not [neglect] the orders I gave her
[316]	ir du₆-du₆-dam¹ ²ma-an-ga-ga²	She made a lament for me in my ruined (temples)
*Notes for lines [308-316]* 308. TUVW. 1) So W; U: -a. 2) So W; T: i?-; U im-. 309. TUVW. 1) So T and W; U: -ke₄ 2) So T and V; U omits. 310. TUVW. 1-1) So V and probably W; T: ne; U: en. 2) So V; U omits. 3) So V; U omits. 311. TUVW. 1) So U and probably V; W omits. 2-2) So U; V: mu-na-ni-ib-gi₄-gi₄; W: mu-un-na-[. 312. TUVW. 1) So V, W, and probably T; U omits this line. 313. UVW. 1) So V and W; U omits this line. 314. UVW. 1) So V and W; U omits this line. 315. UVW. 1) So V and W; U omits this line. 316. UVW. 1) So U and W; V: -da. 2-2) So V; U ma-ni-gar-gar-re-en; W: gar-gar-ra[.
[317]	sem gu-en-na ma-an¹-tuk-am	She beat the drum for me in the sanctuaries
[318]	e-dingir-re-é-ne ¹ma-an-nigin¹	She made the rounds of the temples of the gods for me
[319]	¹[i]-bi1-ni ma-an-hur kiri₄-ni ma-an-hur	She scratched at her eyesj she scratched at her nose
[320]	ki 1mu-lu1-da nu-di2 has₄-gal-a³-ni ma-an-hur	She scratched at her buttocks, the secret place
[321]	1mu-lu1-nu-tuk-²-gin_x túg-dili-a³ ⁴im-ma-an-mu₄⁴	Like a pauper, she clothed herself in a single garment
[322]	e-kur-re¹ é-d²mu-ul²-lil-la-šè	To the Ekur, to the temple of Enlil
[323]	uriki-ma é-^dnanna¹-šè	To Ur, to the temple of Nanna
[324]	uru-ze-eb^1ki2 é-dam-an³-ki-ga-šè	To Eridu, to the temple of Enki
[325]	giri-ni² dili mu-un³-gub	All alone she set her foot
*Notes for lines [317-325]* 317. UVW. 1) So W and probably V; U: -ni-in-. 318. UVW. 1-1) So V and W; U: ma-ni-in-nigin-de. 319. UVW. 1-1) So V and W; U: igi-. 320. UVW. 1-1) So V; U: lu-. 2) So V and W; U: -du₈ 3) So V and W; U omits. 321. UVW. 1-1) So V; U lu-. 2) So U and V; W inserts -a-. 3) So V and W; U omits. 4-4) So V; U: mu-un-mu₄; W: ma-an-mu₄ 322. UVWX. 1) So U; V: -ra. 2-2) So V and W; U: en-. 323. UVWX. 1) So V; U and W: -^dsuen-na-. 324. UVWX. 1) So V and W; U omits. 2) So V and U; W omits. 3) So V and W; U omits. 325. UVWX. 1) So U and W; V and X omit this line. 2) So W; U omits. 3) So W; U omits.
[326]	e-ne ma-a-ra mu-un-ti-le-en	She is the one who brought roe back to life
[327]	2e-ne2 ta-gin_x 3nam-ma-ra-ab-ze-em-e[n-ze-en]3	How could I turn her over to you?
[328]	²ga-an-si-re₇-dé-en² ummaki-a³ ⁴sig₄-kur-sa-ga-šè4 5ga-an-si-re₇-dé-en⁵	Let's go on* let’s go to Sigkursaga, the temple of Umma"
[329]	um[maki-a] sig₄-kur-sa-ga-ta	At the Sigkursaga in Umma
[330]	^dsara uru-ni-a² giri-ni-šè ba-an-sub	Sara, in his own city, threw himself at her feet
[331]	sahar-ra² ba³-da-an-tus túg-mu-sir-ra ba-an-mu₄	Clothed in rags, he wallowed in the dust
[332]	gal₅-la-é-ne ku-^dinanna-ra² gu mu-na-dé-e	The demons cried out to Inanna the purei
[333]	^dinanna uru-zu-šè gen-ba ²e-ne² ga-ba-ab-túm-mu-de	"Go home to your city Inanna; we will take this one back
*Notes for lines [326-333]* 326. UVWX. 1) So V, W, and X; U omits this line. 327. UVWX. 1) So U, W, and X; V omits this line. 2-2) So X; U: en. 3-3) So U; W: nam-mi-ni-ze-em-en-[ze-en]. 328. UVWX. 1) So U, V and W; X omits this line. 2-2) So V and probably W; U omits. 3) So U and V; W: -se. 4-4) So V; U: se-ZU-eb-kur-sa-ba-se; W omits. 5-5) So V; U: ga-e-re₇-en-de-en. 329. UVWX. 1) So V; U, W, and X omits this line. 330. UVWX. 1) So U, V, and W; X omits this line. 3) So U; V and W: -se. 331. UVWX. 1) So U, V, and W; X omits this line. 2) So V; U: -a. 3) So V; U: im-. 332. UVWX. 1) So U, V, and W; X omits this line. 2) So V and W; U: -ke₄ 333. UVWX. 1) So U, V, and W; X omits this line. 2-2) So V; U: en.
[334]	ku-^dinanna-ke₄ gal₅-la-é-ne mu-na-ni-ib-gi₄-gi₄	Inannathe pure answered the demons:
[335]	²en-du-d[u!] dsara-mu²	"Sara is my singer
[336]	umbin-ku₅-ku₅-ra²-mu gu-TAR-la-mu	My manicurist and my hairdresser
[337]	en² ta-gin_x nam-ma-ra-ni-ib-ze-em-men	How could I turn him over to you?
[338]	ga-é-re₇-en²-dé-en bad-tibiraki-a³ é-mus-kalam-ma-šè ⁴ga-an-si-re₇-dé-en⁴	Let's go on; let's go to the EmuSkalamma, the temple of Bad-tibira"
[339]	bad-tibiraki-a é-mus-kalam-ma-ta¹ ²	At the EmuSkalamma in Bad-tibira
[340]	dlu-lal-e¹ ²uru-ni-a² giri-ni-šè ³ba-an-sub³	Lulal, in his own city, threw himself at her feet
[341]	sahar-a im-da-an-tus túg-mu-sir-ra ba-an-mu₄	Clothed in rags, he wallowed in the dust
*Notes for lines [334-341]* 334. UVX. 1) So U and V; X omits this line. 335. UVX. 1) So U and V; X omits this line. 2-2) So U; V: nar? X X X X ^dsara-mu. 336. UVX. 1) So U and V; X omits this line. 2) So V; U omits. 337. UVX. 1) So U and V; X omits this line. So U; V: ne. 338. UVXY. 1) So U, V, and Y; X omits this line. 2) So U and V; Y omits. 3) So V; U and Y omit. 4-4) So V; U and Y omit. 339. UVXY. 1) So Y; U: -se. 2) So V and Y; U adds: giri-ni-se ba-e-re₇^re-es 340. UWXY. 1) So W and Y; U omits. 2-2) So U; Y omits. 3-3) The printed text is a conflation; U: ba-sub; X: ba-an-sub-bu-us. 341. UWY.
[342]	gal₅-la-é-ne ku-^dinanna-ra¹ gu mu-na-dé-e	The demons cried out to Inanna the pure:
[343]	^dinanna uru-zu-šè gen-ba 1e-ne1 ga-ba-ab-túm-mu-un²-dé-en³	"Go home to your city Inanna; we will take this one back"
[344]	ku-^dinanna-ke₄ gal₅-la-é-ne 1mu-na-ni-ib-gi₄-gi₄¹	Inanna the pure answered the demonsi
[345]	dlu-lal-za-é-a1 a²-zi-da-gub-bu-mu-us-sa³	"Lulal Is the one who goes before me at ray right and my left
[346]	1e-ne1 ta-gin_x ²nam-ma-ra-ab-ze-em-en-ze-en²	How could I turn him over to you?
[347]	¹ga-é-re₇-dé-en¹ ^gishashur-gul-la-eden-kul-aba₄ki-šè²	Let’s go on let's go to the great apples tree in the plain of Kulaba"
[348]	^gishashur-gul-la-eden-kul-aba₄ki-šè1 giri-ni-šè ba-é-re₇re-es	They followed her to the great apple tree in the plain of Kulaba
[349]	^ddumu-zi tug!-mah-a i-im-mu₄ mah-a dur-a dur im-ma-gar ²	And there was Dumuzi clothed in a magnificent garment, sitting on a magnificent throne
*Notes for lines [342-349]* 342. UWY. 1) So Y; U: -ke₄ 343. UWY. 1-1) So Y; U: en. 2) So U; Y omits. 3) So U; Y omits. 344. UWY. 1-1) So U; Y: mu-un-na-ab-gi₄-gi₄. 345. UWYZ. 1) U glosses: a-sa-re-du. 2) So Y; U omits. 3) So Y; U omits. 346. UWYZ. 1-1) So Z; U: en. 2-2) So U; W: [na]m-mi-ni-[; Y: ]X-ni-ib-ze-em-X X X. 347. UWYZ. 1-1) So U, Z and probably Y; W probably omits. 2) So W; U omits. 3-3) So probably W; U and probably Y omit. 348. UWYZ. 1) So W; U omits. 349. UWYZ. 1) So U, Y, and Z; W omits this line. 2) U glosses: i-na!ku-us!-si a-si-ib.
[350]	gal₅-la-é-ne has₄-a-na i-im-dab⁵-be-es	The demons siezed him by the thighs
[351]	^dugsakir imin-e¹ ga mu-un-dé-es-am	The seven of them poured the milk out of his churns
[352]	imin-am X-TU-ra-gin_x sag mu-un-da-sig-ge-ne	The seven of them shook their heads like . . .
[353]	sipa-de gi-gid gi-di-da igi-ni su[nu]-mu-un-tag-ge-de	The shepherd did not play his flute and pipe before her
*Notes for lines [350-353]* 350. UWZ. 1) So U and Z; W omits this line. 350a. 1) Z inserts a line which reads: [. . .] SAG.DU [. . .]. 351. UWZ. So W; U omits. 352-367. 1) The text of W for these lines differs considerably from the printed text which follows it: W:[X X X X]-a-na bi-ib-[. . .] // [X X X z]a-ga-na ba-an-dab₅-[. . .] // [X X X X X]-na-gin_x tag[. . .] // [igi-us-a-ka] igi mu-un-[si-in-bar] // [gu bi-in-de] gu-nam-tag-[tag-ga] // [lu ^ddumu-zi (or e-en-ra] lu mu-un-si-re₇-es // [. . .] // [. . .] // [. . .] // [. . . su] ti-a-[me-es] // [. . .] UL mu-un-ur₄-ur₄-[re-es] // [. . .] BAL [. . .] // [. . .] mu-un-si-[. . .] 352. UW. 1) See above. 353. UW. 1) See above.
[354]	igi mu-un-si-in-bar igi-us-a-ka	She looked at him with the look of death
[355]	inim i-ne-ne inim-libis-gig-ga	She spoke to him with the speech of anger
[356]	gu -ne-de² gu-nam-tag-tag-ga³	She shouted at him with the shout of guilt
[357]	en-šè¹ tum-mu-an-ze-en	(Inanna said) "As for him, take him away"
[358]	ku-^dinanna-ke₄ su₈-ba ^ddumu-zi-da su-ne-ne-a in-na-sum	And thus Inanna the pure gave Dumuzi the shepherd into their hands
[359]	lu é-ne lu mu-un-ne-re₇-es-am	Those who accompanied him
[360]	lu dumu-zi mu-un-si-re₇-es-am	Those who accompanied Dumuzi
[361]	u nu-zu-me-es a nu-zu-me-es	Know no food; know no drink
[362]	zi-dub-dub-ba nu-ku-me-es	Eat no grain offering
[363]	a-bal-bal-a nu-na₈-na₈-me-es	Drink no libation
*Notes for lines [354-363]* 354. UW. 1) See above. 355. UW. 1) See above. 356. UW. 1) See above. 2) U glosses: i-si-si-ma. 3) U glosses: sa--se-e ar-ni. 357. UW. 1) See above. 2) U glosses: an-na-am! 358. UW. 1) See above. 359. UW. 1) See above. 360. UW. 1) See above. 361. UW. 1) See above. 362. UW. 1) See above. 363. UW. 1) See above.
[364]	ur-dam ni-du₁₀-ge-es nu-si-ge-es	Never enjoy the pleasure of sexual intercourse
[365]	dumu ni-ku₇-ku₇-da ne nu-su-ub-me-es	Never have any sweet children to kiss
[366]	dumu-lu du₁₀-ub-ta ba-ra-an-zi-ge-es	But carry off children from their father’s knees
[367]	e-gi₄-a é-usbar-ra-ka um-ta-an-é-es	And remove the bride from her marriage chamber
[368]	^ddumu-zi-de ir im-da-pa sig₇-sig₇ i-ga-ga	As for Dumuzi, he let out a wail and turned very pale
[369]	gurus!-e dutu-ra an-šè su-ni ba-an-na-zi	The lad raisedhis hands to heaven and beseeched Utu:
[370]	dutu mi-u₄-ru₆-mu-me-en ga-e mi-us-sa-zu-me-en	"Oh Utu, you and I are brothers-in-law
[371]	e-ama-zu-šè i gúr-ru-me-en	I brought butter to your mother’s house
[372]	e-dnin-gal-šè ga gúr-ru-me-en	I brought milk to Ningal's house
[373]	su-mu su-mus-a u-mu-ni-in-sum	Change my hand into that of a reptile
*Notes for lines [364-373]* 364. UW. 1) See above. 365. UW. 1) See above. 366. UW. 1) See above. 367. UW. 1) See above. 368. UW. 369. UW. 370. UW. 371. U. 372. U. 373. U.
[374]	giri-mu giri-mus-a u-mu-ni-in-sum	Change my foot into that of a reptile
[375]	gal₅-la-mu ga-ba-da-kar ¹nam-mu-un-ha-ha-ne^{1 2}	Let me escape those demons of mine; don't let them keep hold of me"
[376]	[dutu a-igi-na s]u! ba-an-si-in-ti	[Utu] answered [his prayer]
[377]	[su-ni su]-mus-a mu-é-ni-sum	He changed [his hand into the hand] of a reptile
[378]	[giri-ni gi]ri-mus-a mu-é-ni-sum	He changed [his foot into the foot] of a reptile
[379]	¹[gal₅-la]-é-ne ba-ni-kar¹	He escaped those [demons]
[380]	¹[ . . . mus]-SAG.KAL-dis-gin_x¹	Like a SAG.KAL [reptile he . . .
[381]	[. . . ba-ni]-in-dab₅-be-es-a
*Notes for lines [374-381]* 374. U. 375. UXa. 1-1) So U; X: [na]m!-mu-ne-[X X]. 2) U glosses: la i-sa-ba-tu-ni-in-ni. 376. Xa. 376a. a inserts [gal₅-la-e-ne] nu-ha-[ha-ne]; cf. 375. 377-378. So X; a: [. . . giri]-mus giri-[ni] // [. . . su] - mus su-[ni] // [. . .] mu-e-[ni-sum] 377. Xa. 378. Xa. 379. Xa. 1-1) So X; A: [. . .] bi [. . .]. 380. Xa. 1-1) So X; a: [. . .] AS [. . .]. 381. X.
[382]	[. . .] zal-la-am
[383]	[. . .] NE X GI₄ A
[384]	[. . .] X PA	At this point there is a gap of about 14 lines, in which the galla's search for and find Dumuzi hiding in his sister's sheepfold. The text resumes with the reverse of S which contains the last lines of the myth.
[385]
[386]
[387]
[388]
[389]
[390]
[391]
[392]
[393]
[394]
[395]
[396]
[397]
[398]	nitah? [. . .]
[399]	num-e [. . .]
[400]	ki-sikil ^dinanna-ke₄ nu[m? . . .] NI [. . .]
[401]	e-bi X zabar X X-a-ke₄ X X X X-ze-[. . .]
[402]	tes nu?-tuk? X X -ke₄-gin_x nam-[ma]-ab-[. . .]
[403]	NI [X X nam]-tar-ra ^dinanna-ke₄ [X X X] nam [. . .]
*Notes for lines [382-403]* 382. X. 383. X. 384. X. 398. S. 399. S. 400. S. 401. S. 402. S. 403. S.
[404]	[^dgestin-an-na-ke₄] ir im-[ma-šè₈-šè₈]
[405]	gurus-mu im-ma-gen su-šè mu-da-ab-si-[. . .]
[406]	NI [X X] me-le-é-a nam-[. . .]
[407]	za-e mu-mas-am nin₉-zu mu-mas-am	"You (Dumuzi will spend) one half of the year and your sister (will speud) one half of the year (in the netherworld)
[408]	[u₄ za-e] al-di-di-e u₄-bi ib-t[a-e11-de]	[On the day that you] designate, on that day you [will arise]
[409]	u₄ nin₉-zu al-di-di-e u₄-bi ib-t[a-e11-de]	On the day that your-sister designates, on that day she [will arise]”
[410]	ku-^dinanna-ke₄ ^ddumu-zi sag-bi-šè bi-in-sum-mu	And thus Inanna the pure handed over Dumuzi as her substitute
[411]	ku-^deres-ki-gal-la-ke₄
[412]	za-mi-zu du₁₀-ga-am	Sweet is the praise of Ereskigal the pure
*Notes for lines [404-412]* 404. S. 405. S. 406. S. 407. S. 408. S. 409. S. 410. S. 411. S. 412. S. Colophon: SU.NIGIN 120, 50, 4 // im-gid-da es₅-kam za-til-la // am-gal-ta ki-gal-se On the top edge of the tablet: 120, 40, 9 // 120, 40, 4

^a Sladek, "Ch. IX / Inanna's Descent Translation," 153-181. More info

All texts

Title

Mythological contents

This artifact contains mythological contents associated with Sumerian Religion. The main narrative mentioned may be Inanna's Descent to the Netherworld, a Afterlife myth. The deities depicted or mentioned in the artifact may be: Inanna.

Parent belief system

Sumerian Religion · Polytheistic

Heads up. This Religion belongs to the Mesopotamian collection on the basis of shared myths and deities.
Sumerian religion refers to spiritual beliefs practiced from ca. 4500-1900 BCE in Mesopotamia, or modern-day southern Iraq. Many deities were diffused into other Mesopotamian cultures.
Learn more

Associated myth

Inanna's Descent to the Netherworld Afterlife myth

Nuthsell
Inanna descends from the great above to the great below. She abandons several temples and heads for open country. She gives precise instructions to her companion—Ninsubur: Inanna says "if I don't return in three days, go to the temples and plead on my behalf." At the netherworld she enters and goes through seven gates before she is turned into a corpse. Ninsubur follows the instructions and tells Inanna's father Enkil what happened. He helps her by sending two a-sexual creatures to sneak in and bring her back to life. Once Inanna is alive she ascends while being escorted by demons from the netherworld. The demons allow her to trade her husband Dumuzi in her place.
Read more

Deities depicted

Inanna

CDLI data for P275003

The artifact named N 2523 is listed in the CDLI database as record number P275003. It belongs to composite number Q000343 .

About the CDLI

Cuneiform Digital Library Initiative Est. 1998

The Cuneiform Digitial Library Initiative (CDLI) is a collaborative project among the University of California, Los Angeles (UCLA), the University of Oxford, and the Max Planck Institute for the History of Science (Berlin, Germany). The project is funded by various universities and donors in the hopes of cataloging, translating, and digitizing artifacts with text in cuneiform script.
Read more

Record numbers

CDLI record No.	P275003
Composite No.	Q000343
Join information	N/A

Record notes

About these data

Retrieval date	Aug. 11, 2022
Copyright	CDLI @ UCLA

Artifact condition

The artifact named 'N 2523' is appraised as being in Poor condition based on how much reliance is placed on other resources to make it complete and readable.

Condition	Excellent	Just OK	Poor

Completeness	More than 80%	50 - 80%	Less than 50%
Fragmentation	Minor	Moderate	Significant
Damage	Minor	Moderate	Significant
Legibility	Highly readable	Somewhat readable	Unintelligible

Cite this page

MLA Modern Language Association (8th ed.)

OMNIKA Foundation Contributors. "N 2523 / Inanna's Descent." OMNIKA – World Mythology Index, OMNIKA Foundation, 11 Jun. 2019, omnika.org/stable/169. Accessed 21 Nov. 2024.

APA American Psychological Association (6th ed.)

OMNIKA (2019, June 11). N 2523 / Inanna's Descent. Retrieved from https://omnika.org/stable/169

CMS Chicago Manual of Style (16th ed.)

OMNIKA Foundation Contributors. "N 2523 / Inanna's Descent." Las Vegas, NV: OMNIKA Foundation. Created June 11, 2019. Accessed November 21, 2024. https://omnika.org/stable/169.

Bibliography

"Dr. William R. Sladek Jr. Professor of Ancient History.” York Daily Record. November 6, 1993. In "Obituary for Dr. William R. Sladek Jr. (1938—1993)," OMNIKA Foundation. Las Vegas, NV: OMNIKA Digital Press, August 19, 2019. https://omnika.conscious.ai/library/obituary-for-dr-william-r-sladek-jr-1938-1993

Anonymous creator, N 2523, c. 1900–1600 BCE. Clay tablet. Nippur 2923. University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, Pennsylvania.

Black, Jeremy, et al., eds. "ETCSLtranslation : t.1.4.1 : Inana's descent to the nether world." ETCSL: The Electronic Text Corpus of Sumerian Literature. The University of Oxford. http://etcsl.orinst.ox.ac.uk/cgi-bin/etcsl.cgi?text=t.1.4.1#. Accessed July 8, 2020.

Black, Jeremy, Graham Cunningham, Jarle Ebeling, Esther Flückiger-Hawker, et al., eds. ETCSL: The Electronic Text Corpus of Sumerian Literature. Oxford, UK: The University of Oxford. http://etcsl.orinst.ox.ac.uk. Accessed June 11, 2020.

Dedović, Boban. "'Inanna's Descent to the Netherworld': A centennial survey of scholarship, artifacts, and translations." Undergraduate seminar paper. University of Maryland, College Park, 2019.

Renn, Jürgen, Jacob L. Dahl, et al. "CDLI: Cuneiform Digital Library Initiative." Los Angeles, CA: The University of California, Los Angeles. Accessed June 13, 2019. https://cdli.ucla.edu.

Sladek, William R. "Inanna's Descent to the Netherworld: A dissertation submitted to the Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy." PhD diss., Johns Hopkins University, 1974.

Sladek, William R., trans. "Ch. IX / Inanna's Descent Translation." In "Inanna's Descent to the Netherworld: A dissertation submitted to the Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy," 153-181, edited by William R. Sladek. Ph.D. diss., Johns Hopkins University, 1974.

Sladek, William R., trans. "Ch. VIII / Inanna's Descent Transliteration." In "Inanna's Descent to the Netherworld: A dissertation submitted to the Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy," 103-152, edited by William R. Sladek. Ph.D. diss., Johns Hopkins University, 1974.

Fast facts

Object

Tablet Clay

N 2523 Record No.

Provenience

Al-Qādisiyyah, Iraq Origin

c. 1900 BCE Attested

Artifact overview

About this artifact

Basic details

Provenience

Museum record data

Penn Museum

Item specifications

Mythological contents

Sumerian Religion

Associated myths and deities

Cuneiform Digitial Library Initiative data help_outline

Core CDLI data

Notes

Extended artifact data for N 2523

Location description

Record numbers

Full artifact data

Record notes

About these data

Render

Digital scan

OMNIKA Reader

Full Translation, Collation (full)

Sumerian ⟶ English a

All texts

Mythological contents

Parent belief system

Associated myth

Nuthsell

Deities depicted

CDLI data for P275003

About the CDLI

Record numbers

Record notes

About these data

Artifact condition

How did we get this date?

Artifact access conditions

What's a 'joined' artifact?

Cite this page

Bibliography

Fast facts

Object

Provenience

OMNIKA

Share

Report

Sumerian ⟶ English ^a