Artifact overview
Add MS 46700 is an artifact (Paper Manuscript) related to the mythological story named 'Alice in Wonderland.' The artifact's condition is Excellent and it is currently located at British Library in London, United Kingdom, catalogued as record number Add MS 46700. The language of the text contained is . Its estimated date is 1862—1864 CE, which is a range based on available data and scholarship. The mythology associated with this artifact includes the Uncategorized belief system and related deities: unknown.
About this artifact
Basic details
| Type | Manuscript Paper material |
| Condition | Excellent |
| Date created | 1862—1864 CE |
| Location | British Library British Library · London, United Kingdom |
| Shelfmark | Add MS 46700 |
| Digital access | Shelfmark Add MS 46700 Fully digitized |
Provenience
| Discovery | Oxford, England Present-day Oxford, United Kingdom |
Museum record data
British Library
British Library · London, United Kingdom
Item specifications
| Museum No. | Add MS 46700 |
Mythological contents
Uncategorized Other
The contents of this artifact may depict or reference the following myths and deities associated with this belief system.
Associated myths and deities
| Myths | Alice in Wonderland |
| Deities | Unknown |
Add MS 46700 is an artifact at the British Library that contains the original manuscript of the Alice in Wonderland myth. It was handwritten by Charles Lutwidge Dodgson, under the pseudonym Lewis Carroll, between 1862 and 1864. This handwritten manuscript is titled Alice's Adventures Under Ground because it was written in 1862, three years before the first edition was published (under the new title).
Extended artifact data for Add MS 46700
See detailed information about this artifact from the entity that has access to it.
Location description
- British Library London, United Kingdom
Full address: British Library, 96 Euston Rd, London, London, NW1 2DB, United Kingdom
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Record numbers
| Shelfmark | Add MS 46700 |
| Digitized record | Shelfmark Add MS 46700 |
| Artifact access | Unknown |
Full artifact data
| Title | 'Alice's Adventures Under Ground' |
| Languages | English |
| Creator | Lewis Carroll |
| Formats | Manuscript, Fair copy, Artwork, Image |
| Usage Terms | Public Domain |
| Pages | 94 |
| Notes |
Public Domain. According to a note in Dodgson''s diary ( Add. MS. 54343, f. 15b ) the story first took its shape during a river trip up the Thames to Godstow on 4 July 1862 ( for doubts about the validity of this date see Derek Hudson, Lewis Carroll, 1954, pp. 129-130 ) in company with the Rev. Robinson Duckworth ( afterwards Canon and Sub-Dean of Westminster ) and three daughters of the Rev. H. G. Liddell, Dean of Christ Church, Oxford, viz. Lorina Charlotte (b. 1849), Alice Pleasance (b. 1852) and Edith Mary ( b. 1854 ). Dodgson invented the story to enliven the journey, and all the participants appear in it as characters, Dodgson as the Dodo, Duckworth as the Duck, Lorina as the Lory, Edith as the Eaglet, and Alice as herself. Duckworth many years later ( apparently in 1898, just after Dodgson''s death ) recalled that when the party returned to the Deanery, Alice asked Dodgson to write out the story for her, and that he sat up nearly the whole night doing so ( The Lewis Carroll Picture Book, ed. S. D. Collingwood, 1899, p. 360). This cannot be taken literally, for Dodgson''s diary makes no mention of it, and in fact records that on the following day, 5 July 1862, whilst on a train journey to London, he wrote out the ''headings'' of the story (Add. MS. 54344, f. 2). These ''headings'' cannot have been more than rough notes, for on 6 Aug. 1862, on another river trip to Godstow with the Liddells, he records ''I had to go on with my interminable fairy-tale of "Alice''s Adventures"'' (Add. MS. 54343, f. 25), while opposite the diary entry for 13 Nov. 1862 (Add. MS. 54343, f. 39b) is the note ''Began writing the fairy-tale for Alice, which I told them July 4, going to Godstow - I hope to finish it by Xmas''. This may explain the ''Christmas Gift'' of the subtitle. But in fact not even the writing of the text was completed by Christmas 1862: according to the record in Dodgson''s diary ( Add. MS. 54344, f. 2 ) the text was ''finished before Feb. 10 1863'', but he had still to draw the illustrations, for which spaces had been left in the text. Cf. the above-mentioned diary entry opposite 4 July 1862 (Add. MS. 54343, f. 15b): ''on which occasion I told them the fairy-tale of "Alice''s Adventures Under Ground", which I undertook to write out for Alice and which is now finished ( as to the text ) though the pictures are not yet nearly done- Feb. 10 1863, nor yet-Mar. 12 1864''. The illustrations gave Dodgson immense trouble, and it was not until 13 Sept. 1864 that he could record ''pictures in MS. finished'' (Add. MS. 54344, f. 2). There was a further interval, presumably for the volume to be bound, before it was ''finally sent to Alice Nov. 26 1864'' (ibid.). Alice Liddell''s own recollection (in 1931) that production of the manuscript occupied ''several years'' ( The Cornhill Magazine, lxxiii, 1932, p. 8) is thus not very wide of the mark. It has sometimes been stated that the present MS. is not identical with that which Dodgson describes as having finished, as to the text, before 10 Feb. 1863 ( cf., e.g., Harvard Library Bulletin, x, 1956, pp. 307-308). Indeed, in the introduction by Martin Gardner to the Dover Publications facsimile of 1965 (see below) it is stated that the ''first manuscript'' i.e. that finished in Feb. 1863 ''was probably destroyed by Carroll in 1864 when he prepared a more elaborate hand-printed copy with thirty-seven pictures drawn by himself. We cannot be sure, but it seems likely that this second manuscript differed in many respects from the first''. No evidence is given for these assertions, and neither the above-quoted entry in the diary for 4 July 1862 nor the table drawn up by Dodgson detailing all the stages in the production of Alice''s Adventures Under Ground and Alice in Wonderland (Add. MS. 54344, ff. 1b-2) gives any indication that more than one MS. of the former ever existed. In the advertisement pages at the end of, e.g., The Nursery Alice, 1889, the advertisement for the 1886 facsimile of the MS. carries the statement that the manuscript was ''begun, July 1862; finished, Feb. 1863; first published, in facsimile, in 1886''. These details would be pointless unless they all referred to the MS. reproduced in facsimile, i.e. the present MS.; and since this statement was issued during Dodgson''s lifetime and must have been made on his authority it is conclusive. Long before the finished MS. was sent to Alice Liddell, Dodgson had decided to publish the story. His diary records on 9 May 1863: ''Heard from Mrs MacDonald wife of George MacDonald, the poet and novelist about "Alice''s Adventures Under Ground", which I had lent them to read, and which they wish me to publish'' (Add. MS. 54344, f. 76). According to other accounts Henry Kingsley, brother of Charles Kingsley, and Robinson Duckworth also urged Dodgson to publish. But the story was clearly too short to make even a small book, and Dodgson set to work to expand it to more than double its length. No details have survived of the process of rewriting, and even the manuscript as sent to the printer no longer exists. The chequered history of the publication of Alice''s Adventures in Wonderland, as Dodgson named the expanded version, culminating in the abortive first edition of 1865, withdrawn because of the unsatisfactory quality of the printing, and the second (definitive) edition of 1866, has often been told, cf. W. H. Bond, ''The Publication of Alice''s Adventures in Wonderland'', Harvard Library Bulletin, x, 1956, pp. 306-324; R. L. Green, The Lewis Carroll Handbook, 1962, pp. 27-34. The relationship between Alice''s Adventures Under Ground and Alice''s Adventures in Wonderland is best shown in tabular form. In the following table the sections of Alice''s Adventures in Wonderland which are either completely new or are greatly expanded versions of the corresponding portions of Alice''s Adventures Under Ground are distinguished by being printed in italics:Alice''s Adventures Under GroundAlice''s Adventures in WonderlandChapter I (ff. 2-13)Chapter IChapter IIDown the Rabbit-holeThe Pool of TearsChapter II (ff. 13b-24)Chapter IIIChapter IVA Caucus-Race (new)A Long TaleThe Rabbit sends in a little BillChapter III (ff. 24b-35)Chapter IVChapter VChapter VIChapter VIIAlice and the PuppyAdvice from a CaterpillarPig and Pepper (new)A Mad Tea-Party (new)Alice and the Door in the TreeChapter IV (ff. 35b-46b)Chapter VIIIChapter IXChapter IXChapter XChapter XIChapter XIIConclusionThe Queen''s Croquet-GroundThe Cheshire Cat appears (new)Alice and the Duchess (new)The Mock-Turtle''s Story greatly expandedThe Lobster Quadrille greatly expandedWho stole the Tarts? greatly expandedAlice''s Evidence greatly expanded( largely rewritten)It will be seen that while Alice''s Adventures Under Ground is broken up into only four chapters, each of considerable length and without titles, Alice''s Adventures in Wonderland is divided into twelve much shorter chapters, with titles. The relative length of the two works also remains to be considered. Although some material from Alice''s Adventures Under Ground was omitted, the balance is overwhelmingly on the side of expansion, particularly in the latter part of the story. Up to the conclusion of ''Advice from a Caterpillar'' the two works did not differ very substantially in length - 9,854 words in Alice''s Adventures Under Ground as against 10,796 in Alice in Wonderland (1865 edition) - but from this point onwards the process of expansion is very marked. Another 2,861 words were all that were required to round off Alice''s Adventures Under Ground, whereas the remainder of Alice in Wonderland contains 15,415 words, or considerably more than half the book. It follows that the commonly accepted figures for the total length of the two stories, as quoted in, e.g., S. H. Williams and F. Madan, Handbook of the Literature of C. L. Dodgson, 1931, p. 109, and repeated in the revised edition, R. L. Green, The Lewis Carroll Handbook, 1962, p. 133, viz. 18,000 and 35,000 words respectively, are far from accurate, the true totals being 12,715 and 26,211. The present MS. has never been set up in type, but has been reproduced several times in facsimile, first as Alice''s Adventures Under Ground. Being a facsimile of the original MS. book afterwards developed into Alice''s Adventures in Wonderland, by Lewis Carroll, London, Macmillan & Co., 1886. For the history of this production see S. D. Collingwood, Life and Letters of Lewis Carroll, 1898, pp. 236-237, 256-258, and R. L. Green, The Lewis Carroll Handbook, pp. 132-135. Reproduction was by photozincography, on a scale of about four-fifths original size. Dodgson, in consultation with Alice Liddell (now Mrs Reginald Hargreaves) decided against reproducing the photograph of Alice at the end of the manuscript (see below). He therefore rewrote the last three words of the text (''happy summer days'' ) on a separate sheet of paper ( now f. 47 ), followed by the words ''THE END'', and this was placed over the photograph of Alice while the manuscript was being photographed. This facsimile edition was reprinted by the Macmillan Co. of New York in 1932. Another facsimile was privately produced whilst the manuscript was in America, for Eldridge R. Johnson (according to Harvard Library Bulletin, x, 1956, p. 309). This is an extremely exact replica, the same size as the original, and even reproducing the original binding and gilt edges (copy in the British Library, press-mark MS. Facs. 652). Another original-size facsimile of American origin, with reproduction in colour of the decoration, is that issued by Panda Prints, Inc., New York, in 1951 (?). A facsimile made by the xerox process, on a scale about one-ninth larger than the original, and with an introduction by Dr Luther H. Evans, was published by University Microfilms, Inc., in 1964. In 1965 Dover Publications, Inc., of New York, issued a facsimile in original size, with the title page and presentation page reproduced in colour on the covers; this facsimile includes additional printed material taken from the 1886 facsimile, and an introduction ( pp. v-xi ) by Martin Gardner. Paper; ff. i + 48. 190 mm. x 123 mm. 1862-1864. Bound in very dark green morocco covers, with gilt title, in rectangular frame, on front cover, ''Alice''s Adventures Under Ground''. All edges gilt (except f. 47, which was added to the MS. in 1885, see above). The MS. has been re-backed, apparently whilst in America, and the leaves separated and mounted individually on guards, thus increasing the width of the volume by some 8 mm. (in the 1928 sale-cat. the dimensions are given as 7 3/8 in. x 4 ½ in.). The original make-up of the quires cannot now be determined. No watermarks (except f. 47). A small portion of the original spine has survived, let into the present back. Title page (f. 1) and presentation page (f. lb) in Gothic lettering with floral decoration in colours. Chapter headings in Gothic lettering in red and black, with arabesques. Illustrated with 37 pen-and-ink drawings by Dodgson; only one contains any colour, the portrait of the Queen of Hearts on f. 45b, in which the hearts are coloured red. At the end of the text (f. 46b) is a pen-and-ink portrait (head and shoulders) of Alice Liddell; Dodgson was clearly dissatisfied with this, and pasted over it a print, cut to an oval shape, of a photograph of Alice Liddell taken in 1859 ( for an untrimmed print of this photograph see The Lewis Carroll Centenary in London, 1932, plate II). The photograph (f. 47) has now been separated from the original pen-and-ink drawing. The MS. was offered for sale, as the property of Mrs Alice Pleasance Hargreaves, at Sotheby''s, 3 Apr. 1928, lot 319. Included in the lot were six letters from Dodgson to Mrs Hargreaves relating to the 1886 facsimile. At the sale, for an account of which see The Times, 4 Apr. 1928, the MS. was purchased, for £ 15,400, by Dr A. S. W. Rosenbach (cf. pencil note on f. i: ''Original Autograph Manuscript of "Alice''s Adventures under Ground" purchased by me in London, April 3, 1928. A. S. W. Rosenbach'' ). About six months later the MS. (with the accompanying letters) was sold to Eldridge Reeves Johnson, of Moorestown, New Jersey, U.S.A. Whilst in America the MS. was widely exhibited, e.g. in the Lewis Carroll Centenary Exhibition at Columbia University, New York, in 1932 (cf. the published Catalogue ). See also R. W. G. Vail, A Christmas Gift to a Dear Child, New York Public Library, 1928 (copy in the Department of Manuscripts, Departmental Pamphlets, vol. xlv, no. 646). After the death of Eldridge R. Johnson (15 Nov. 1945) the MS. was offered for sale at the Parke- Bernet Galleries, New York, on 3 Apr. 1946, as lot 51. Dr Luther H. Evans, Librarian of Congress, conceived the idea of purchasing the MS. for presentation as a gift to the British nation ''as a measure of cultural reparation'' and in recognition of the part played by the nation during the early part of the Second World War, and commissioned Dr Rosenbach to bid for the MS., which he secured for $50,000. Dr Luther Evans financed the purchase with the aid of an anonymous body of American subscribers, and presented the MS. to the British Museum in person on 13 Nov. 1948; cf. The Times, 15 Nov. 1948; Times Literary Supplement, 20 Nov. 1948, p. 660; and the preface by Dr Luther Evans to the University Microfilms facsimile. The letters of Dodgson sold with the MS. in 1928 appeared in the same sale at the Parke-Bernet Galleries, but as separate lots (lots 42 - 47). Presented by Dr Luther H. Evans, Librarian of Congress, and an anonymous body of American subscribers.Fiction: ''Alice''s Adventures Under Ground'', by Rev. C. L. Dodgson (''Lewis Carroll''): 1863-1864.: Autogr.Charles Lutwidge Dodgson, alias ''Lewis Carroll''; author: ''Alice''s Adventures Under Ground'' written and illustrated by: 1863-1864.Art. Illuminations and Drawings: ENGLISH. C. L. Dodgson: illustrations, etc., of ''Alice''s Adventures Under Ground'': 1863-1864.includes:f.46b Art. Portraits: Alice Liddell: 1859.: Photogr. ff. 46b, 47 Alice Pleasance Liddell, afterwards Hargreaves; wife (1880) of R G Hargreaves; daughter of H G Liddell, Dean of Christ Church, Oxford: Portrait and photograph: 1859, 1864. |
Record notes
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| Retrieval date | May. 31, 2020 |
| Copyright | British Library |
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Full Transcript
English a
Chapter I
Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, and where is the use of a book, thought Alice, without pictures or conversations? So she was considering in her own mind, (as well as she could, for the hot day made her feel very sleepy and stupid,) whether the pleasure of making a daisy-chain was worth the trouble of getting up and picking the daisies, when a white rabbit with pink eyes ran close by her.
There was nothing very remarkable in that, nor did Alice think it so very much out of the way to hear the rabbit say to itself “dear, dear! I shall be too late!" (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the rabbit actually took a watch out of its waistcoat-pocket, looked at it, and then hurried on, Alice started to her feet, for
it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket or a watch to take out of it, and, full of curiosity, she hurried across the field after it, and was just in time to see it pop down a large rabbit-hole under the hedge. In a moment down went Alice after it, never once considering how in the world she was to get out again.
The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly, that Alice had not a moment to think about stopping herself, before she found herself falling down what seemed a deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her, and to wonder what would happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything: then, she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves: here and there were maps and pictures hung on pegs. She took a jar down off one of the shelves as she passed: it was labelled
“Orange Marmalade," but to her great disappointment it was empty: she did not like to drop the jar, for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it.
“Well!" thought Alice to herself, “after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (which was most likely true.)
Down, down, down. Would the fall never come to an end? “I wonder how many miles I've fallen by this time?" said she aloud, “I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think-" (for you see Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity of showing off her knowledge, as there was no one to hear her, still it was good practice to say it over,) “yes, that's the right distance, but then what Longitude or Latitude-line shall I be in?" (Alice had no idea
what Longitude was, or Latitude either, but she thought they were nice grand words to say.)
Presently she began again: “I wonder if I shall fall right through the earth! How funny it'll be to come out among the people that walk with their heads downwards! But I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?"-and she tried to curtsey as she spoke, (fancy curtseying as you're falling through the air! do you think you could manage it?) “and what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere."
Down, down, down: there was nothing else to do, so Alice soon began talking again. “Dinah will miss me very much tonight, I should think!" (Dinah was the cat.) “I hope they'll remember her saucer of milk at tea-time! Oh, dear Dinah, I wish I had you here! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know, my dear. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and kept on saying to herself, in a dreamy sort of way “do cats eat bats? do cats eat bats?" and sometimes,
“do bats eat cats?" for, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and was saying to her very earnestly, “Now, Dinah, my dear, tell me the truth. Did you ever eat a bat?" when suddenly, bump! bump! down she came upon a heap of sticks and shavings, and the fall was over.
Alice was not a bit hurt, and jumped on to her feet directly: she looked up, but it was all dark overhead; before her was another long passage, and the white rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and just heard it say, as it turned a corner, “my ears and whiskers, how late it's getting!" She turned the corner after it, and instantly found herself in a long, low hall, lit up by a row of lamps which hung from the roof.
There were doors all round the hall, but they were all locked, and when Alice had been all round it, and tried them all, she walked sadly down the middle, wondering
how she was ever to get out again: suddenly she came upon a little three-legged table, all made of solid glass; there was nothing lying upon it, but a tiny golden key, and Alice's first idea was that it might belong to one of the doors of the hall, but alas! either the locks were too large, or the key too small, but at any rate it would open none of them. However, on the second time round, she came to a low curtain, behind which was a door about eighteen inches high: she tried the little key in the keyhole, and it fitted! Alice opened the door, and looked down a small passage, not larger than a rat-hole, into the loveliest garden you ever saw. How she longed to get out of that dark hall, and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway, “and even if my head would go through," thought poor Alice, “it would be very little use without my shoulders. Oh, how I wish I could shut
up like a telescope! I think I could, if I only knew how to begin." For, you see, so many out-of-the-way things had happened lately, that Alice began to think very few things indeed were really impossible.
There was nothing else to do, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting up people like telescopes: this time there was a little bottle on it-“which certainly was not there before” said Alice-and tied round the neck of the bottle was a paper label with the words DRINK ME beautifully printed on it in large letters.
It was all very well to say “drink me”, “but I'll look first," said the wise little Alice, “and see whether the bottle's marked “poison” or not," for Alice had read several nice little stories about children that got burnt, and eaten up by wild beasts, and other unpleasant things, because they would not remember the simple rules their friends had given them, such as, that, if you get into the fire, it will burn you, and that, if you cut your finger very deeply with a knife, it generally bleeds, and
she had never forgotten that, if you drink a bottle marked “poison”, it is almost certain to disagree with you, sooner or later.
However, this bottle was not marked poison, so Alice tasted it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffy, and hot buttered toast,) she very soon finished it off.
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“What a curious feeling!" said Alice, “I must be shutting up like a telescope."
It was so indeed: she was now only ten inches high, and her face brightened up as it occurred to her that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see whether she was going to shrink any further: she felt a little nervous about this, “for it might end, you know," said Alice to herself, “in my going out altogether, like a candle, and what should I be like then, I wonder?" and she tried to fancy what the flame of a candle is like after the candle is blown out,
for she could not remember having ever seen one. However, nothing more happened, so she decided on going into the garden at once, but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for the key, she found she could not possibly reach it: she could see it plainly enough through the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery, and when she had tired herself out with trying, the poor little thing sat down and cried. “Come! there's no use in crying!" said Alice to herself rather sharply, “I advise you to leave off this minute!" (she generally gave herself very good advice, and sometimes scolded herself so severely as to bring tears into her eyes, and once she remembered boxing her own ears for having been unkind to herself
in a game of croquet she was playing with herself, for this curious child was very fond of pretending to be two people,) “but it's no use now," thought poor Alice, “to pretend to be two people! Why, there's hardly enough of me left to make one respectable person!"
Soon her eyes fell on a little ebony box lying under the table: she opened it, and found in it a very small cake, on which was lying a card with the words EAT ME beautifully printed on it in large letters. “I'll eat," said Alice, “and if it makes me larger, I can reach the key, and if it makes me smaller, I can creep under the door, so either way I'll get into the garden, and I don't care which happens!"
She ate a little bit, and said anxiously to herself, “which way? which way?" and laid her hand on the top of her head to feel which way it was growing, and was quite surprised to find that she remained the same size: to be sure this is what generally happens when one eats cake, but Alice had got into the way of expecting nothing but out-of-the way things to happen, and it seemed
quite dull and stupid for things to go on in the common way.
So she set to work, and very soon finished off the cake.
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“Curiouser and curiouser!" cried Alice, (she was so surprised that she quite forgot how to speak good English,) “now I'm opening out like the largest telescope that ever was! Goodbye, feet!" (for when she looked down at her feet, they seemed almost out of sight, they were getting so far off,) “oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure I can't! I shall be a great deal too far off to bother myself about you: you must manage the best way you can-but I must be kind to them”, thought Alice, “or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas."
And she went on planning to herself how she would manage it:
“they must go by the carrier," she thought, “and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! ALICE'S RIGHT FOOT, ESQ. THE CARPET, with ALICE'S LOVE oh dear! what nonsense I am talking!"
Just at this moment, her head struck against the roof of the hall: in fact, she was now rather more than nine feet high, and she at once took up the little golden key, and hurried off to the garden door.
Poor Alice! it was as much as she could do, lying down on one side, to look through into the garden with one eye, but to get through was more hopeless than ever: she sat down and cried again.
“You ought to be ashamed of yourself," said Alice, “a great girl like you," (she might well say this,) “to cry in this way! Stop this instant, I tell you!" But she cried on all the same, shedding gallons of tears, until there was a large pool, about four inches deep, all round her, and reaching half way across the hall. After a time, she heard a little pattering of feet in the distance, and
dried her eyes to see what was coming. It was the white rabbit coming back again, splendidly dressed, with a pair of white kid gloves in one hand, and a nosegay in the other. Alice was ready to ask help of any one, she felt so desperate, and as the rabbit passed her, she said, in a low, timid voice, “If you please, Sir-" the rabbit started violently, looked up once into the roof of the hall, from which the voice seemed to come, and then dropped the nosegay and the white kid gloves, and skurried away into the darkness as hard as it could go.
Alice took up the nosegay and gloves, and found the nosegay so delicious that she kept smelling at it all the time she went on talking to herself-“dear, dear! how queer everything is today! and yesterday everything happened just as usual: I wonder if I was changed in the night? Let me think: was I the same when I got up this morning? I think I remember
feeling rather different. But if I'm not the same, who in the world am I? Ah, that's the great puzzle!" And she began thinking over all the children she knew of the same age as herself, to see if she could have been changed for any of them.
“I'm sure I'm not Gertrude," she said, “for her hair goes in such long ringlets, and mine doesn't go in ringlets at all-and I'm sure I can't be Florence, for I know all sorts of things, and she, oh! she knows such a very little! Besides, she's she, and I'm I, and-oh dear! how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is fourteen-oh dear! I shall never get to twenty at this rate! But the Multiplication Table don't signify-let's try Geography. London is the capital of France, and Rome is the capital of Yorkshire, and Paris-oh dear! dear! that's all wrong, I'm certain! I must have been changed for Florence! I'll try and say “How doth the little”," and she crossed her hands on her
lap, and began, but her voice sounded hoarse and strange; and the words did not sound the same as they used to do:
How doth the little crocodile
Improve its shining tail,
And pour the waters of the Nile
On every golden scale!
How cheerfully it seems to grin!
How neatly spreads its claws!
And welcomes little fishes in
With gently-smiling jaws!"
“I'm sure those are not the right words," said poor Alice, and her eyes filled with tears as she thought “I must be Florence after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No! I've made up my mind about it: if I'm Florence, I'll stay down here! It'll be no use their putting their heads down and saying 'come up, dear!' I shall only look up and say
“who am I, then? answer me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else-but, oh dear!" cried Alice with a sudden burst of tears, “I do wish they would put their heads down! I am so tired of being all alone here!"
As she said this, she looked down at her hands, and was surprised to find she had put on one of the rabbit's little gloves while she was talking. “How can I have done that?" thought she, “I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: soon she found out that the reason of it was the nosegay she held in her hand: she dropped it hastily, just in time to save herself from shrinking away altogether, and found that she was now only three inches high.
“Now for the garden!" cried Alice,
as she hurried back to the little door,
but the little door was locked again, and
the little gold key was lying on the glass
table as before, and “things are worse
than ever!" thought the poor little girl,
“for I never was as small as this before, never! And I declare it's too bad, it is!"
At this moment
her foot slipped,
and splash! she
was up to her chin
in salt water. Her
first idea was
that she had
fallen into the
sea: then she
remembered that
she was under
ground, and she
soon made out that it was the pool of tears she
had wept when she was nine feet high. “I wish I
hadn't cried so much! said Alice, as she
swam about, trying to find her way out, “I
shall be punished for it now, I suppose, by
being drowned in my own tears! Well! that'll
be a queer thing, to be sure! However, every thing is queer today." Very soon she saw something splashing about in the pool near her: at first she thought it must be a walrus or a hippopotamus, but then she remembered how small she was herself, and soon made out that it was only a mouse, that had slipped in like herself.
“Would it be any use, now," thought Alice, “to speak to this mouse? The rabbit is something quite out-of-the-way, no doubt, and so have I been, ever since I came down here, but that is no reason why the mouse should not be able to talk. I think I may as well try."
So she began: “oh Mouse, do you know how to get out of this pool? I am very tired of swimming about here, oh Mouse!" The mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing.
Perhaps it doesn't understand English," thought Alice; “I daresay it's a French mouse, come over with William the Conqueror!" (for,
with all her knowledge of history, Alice had no very clear notion how long ago anything had happened,) so she began again: “où est ma chatte?" which was the first sentence out of her French lesson-book. The mouse gave a sudden jump in the pool, and seemed to quiver with fright: “oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings, “I quite forgot you didn't like cats!"
“Not like cats!" cried the mouse, in a shrill, passionate voice, “would you like cats if you were me?"
“Well, perhaps not," said Alice in a soothing tone, “don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing," said Alice, half to herself as she swam lazily about in the pool, “she sits purring so nicely by the fire, licking her paws and washing her face: and she is such a nice soft thing to nurse, and she's such a capital one for catching mice-oh! I beg your pardon!" cried poor Alice
again, for this time the mouse was bristling all over, and she felt certain that it was really offended, “have I offended you?"
“Offended indeed!" cried the mouse, who seemed to be positively trembling with rage, “our family always hated cats! Nasty, low, vulgar things! Don't talk to me about them any more!"
“I won't indeed!" said Alice, in a great hurry to change the conversation, “are you-are you-fond of-dogs?" The mouse did not answer, so Alice went on eagerly: “there is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh! such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things-I can't remember half of them-and it belongs to a farmer, and he says it kills all the rats and-oh dear!" said Alice sadly, “I'm afraid I've offended it again!" for the mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went.
So she called softly after it: “mouse dear! Do come back again, and we won't talk about cats and dogs any more, if you don't like them!" When the mouse heard this, it turned and swam slowly back to her: its face was quite pale, (with passion, Alice thought,) and it said in a trembling low voice “let's get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs."
It was high time to go, for the pool was getting quite full of birds and animals that had fallen into it. There was a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore.
Chapter II
They were indeed a curious looking party that assembled on the bank-the birds with draggled feathers, the animals with their fur clinging close to them-all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry: they had a consultation about this, and Alice hardly felt at all surprised at finding herself talking familiarly with the birds, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say “I am older than you, and must know best," and this Alice would not admit without knowing how old the Lory was, and as the Lory positively refused to tell its age, there was nothing more to be said.
At last the mouse, who seemed to have some authority among them, called out “sit down, all of you, and attend to me! I'll soon make you dry enough!" They all sat down at once, shivering, in a large ring, Alice in the middle, with her eyes anxiously fixed on the mouse, for she felt sure she would catch a bad cold if she did not get dry very soon.
“Ahem!" said the mouse, with a self-important air, “are you all ready? This is the driest thing I know. Silence all round, if you please!
“William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria-"
“Ugh!" said the Lory with a shiver.
“I beg your pardon?" said the mouse, frowning, but very politely, “did you speak?"
“Not I!" said the Lory hastily.
“I thought you did," said the mouse, “I proceed. Edwin and Morcar, the earls of Mercia and Northumbria, declared for him
and even Stigand, the patriotic archbishop of Canterbury, found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct was at first moderate-how are you getting on now, dear?" said the mouse, turning to Alice as it spoke.
“As wet as ever," said poor Alice, “it doesn't seem to dry me at all."
“In that case," said the Dodo solemnly, rising to his feet, “I move that the meeting adjourn, for the immediate adoption of more energetic remedies-"
“Speak English!" said the Duck, “I don't know the meaning of half of those long words, and what's more, I don't believe you do either!" And the Duck quacked a comfortable laugh to itself. Some of the other birds tittered audibly.
“I only meant to say," said the Dodo in a rather offended tone, “that I know of a house near here, where we could get the young Lady and the rest of the party dried, and then we could listen comfortably to the story which I think you were good enough to promise to tell us," bowing gravely to the mouse.
The mouse made no objection to this, and the whole party moved along the river bank, (for the pool had by this time begun to flow out of the hall, and the edge of it was fringed with rushes and forget-me-nots,) in a slow procession, the Dodo leading the way. After a time the Dodo became impatient, and, leaving the Duck to bring up the rest of the party, moved on at a quicker pace with Alice, the Lory, and the Eaglet, and soon brought them to a little cottage, and there they sat snugly by the fire, wrapped up in blankets, until the rest of the party had arrived, and they were all dry again.
Then they all sat down again in a large ring on the bank, and begged the mouse to begin his story.
“Mine is a long and a sad tale!" said the mouse, turning to Alice, and sighing.
“It is a long tail, certainly," said Alice, looking down with wonder at the mouse's tail, which was coiled nearly all round the party, “but why do you call it sad?" and she went on puzzling about this as the mouse went on speaking, so that her idea of the tale was something like this:
We lived beneath the mat Warm and snug and fat But one woe, & that Was the cat! To our joys a clog, In our eyes a fog, On our hearts a log Was the dog! When the cat's away, Then the mice will play, But, alas! one day, (So they say) Came the dog and cat, Hunting for a rat, Crushed the mice all flat, Each one as he sat Underneath the mat warm, & snug, & fat-Think of that!
“You are not attending!" said the mouse to Alice severely, “what are you thinking of?"
“I beg your pardon," said Alice very humbly, “you had got to the fifth bend, I think?"
“I had not!" cried the mouse, sharply and very angrily.
“A knot!" said Alice, always ready to make herself useful, and looking anxiously about her, “oh, do let me help to undo it!"
“I shall do nothing of the sort!" said the mouse, getting up and walking away from the party, “you insult me by talking such nonsense!"
“I didn't mean it!" pleaded poor Alice, “but you're so easily offended, you know."
The mouse only growled in reply.
“Please come back and finish your story!" Alice called after it, and the others all joined in chorus “yes, please do!" but the mouse only shook its ears, and walked quickly away, and was soon out of sight.
“What a pity it wouldn't stay!" sighed the Lory, and an old Crab took the opportunity of saying to its daughter “Ah, my dear!
let this be a lesson to you never to lose your temper!" “Hold your tongue, Ma!" said the young Crab, a little snappishly, “you're enough to try the patience of an oyster!"
“I wish I had our Dinah here, I know I do!" said Alice aloud, addressing no one in particular, “she'd soon fetch it back!"
“And who is Dinah, if I might venture to ask the question?" said the Lory.
Alice replied eagerly, for she was always ready to talk about her pet, “Dinah's our cat. And she's such a capital one for catching mice, you can't think! And oh! I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!"
This answer caused a remarkable sensation among the party: some of the birds hurried off at once; one old magpie began wrapping itself up very carefully, remarking “I really must be getting home: the night air does not suit my throat," and a canary called out in a trembling voice to its children “come away from her, my dears, she's no fit company for you!" On various pretexts, they all moved off, and Alice was soon left alone.
She sat for some while sorrowful and silent, but she was not long before she recovered her spirits, and began talking to herself again as usual: “I do wish some of them had stayed a little longer! and I was getting to be such friends with them-really the Lory and I were almost like sisters! and so was that dear little Eaglet! And then the Duck and the Dodo! How nicely the Duck sang to us as we came along through the water: and if the Dodo hadn't known the way to that nice little cottage, I don't know when we should have got dry again-" and there is no knowing how long she might have prattled on in this way, if she had not suddenly caught the sound of pattering feet.
It was the white rabbit, trotting slowly back again, and looking anxiously about it as it went, as if it had lost something, and she heard it muttering to itself “the Marchioness! the Marchioness! oh my dear paws! oh my fur and whiskers! She'll have me executed, as sure as ferrets
are ferrets! Where can I have dropped them, I wonder?" Alice guessed in a moment that it was looking for the nosegay and the pair of white kid gloves, and she began hunting for them, but they were now nowhere to be seen-everything seemed to have changed since her swim in the pool, and her walk along the river-bank with its fringe of rushes and forget-me-nots, and the glass table and the little door had vanished.
Soon the rabbit noticed Alice, as she stood looking curiously about her; and at once said in a quick angry tone, “why, Mary Ann! what are you doing out here? Go home this moment, and look on my dressing-table for my gloves and nosegay, and fetch them here, as quick as you can run, do you hear?" and Alice was so much frightened that she ran off at once, without
saying a word, in the direction which the rabbit had pointed out.
She soon found herself in front of a neat little house, on the door of which was a bright brass plate with the name W. RABBIT, ESQ. She went in, and hurried upstairs, for fear she should meet the real Mary Ann and be turned out of the house before she had found the gloves: she knew that one pair had been lost in the hall, “but of course," thought Alice, “it has plenty more of them in its house. How queer it seems to be going messages for a rabbit! I suppose Dinah'll be sending me messages next!" And she began fancying the sort of things that would happen: “Miss Alice! come here directly and get ready for your walk!" “Coming in a minute, nurse! but I've got to watch this mousehole till Dinah comes back, and see that the mouse doesn't get out-" “only I don't think," Alice went on, “that they'd let Dinah stop in the house, if it began ordering people about like that!"
By this time she had found her way into a tidy little room, with a table in the window on which was a looking-glass and, (as Alice had hoped,) two or three pairs of tiny white kid gloves: she took up a pair of gloves, and was just going to leave the room, when her eye fell upon a little bottle that stood near the looking-glass: there was no label on it this time with the words “drink me”, but nevertheless she uncorked it and put it to her lips: “I know something interesting is sure to happen," she said to herself, “whenever I eat or drink anything, so I'll see what this bottle does. I do hope it'll make me grow larger, for I'm quite tired of being such a tiny little thing!"
It did so indeed, and much sooner
than she expected: before she had drunk half the bottle, she found her head pressing against the ceiling, and she stooped to save her neck from being broken, and hastily put down the bottle, saying to herself “that's quite enough-I hope I shan't grow any more-I wish I hadn't drunk so much!" Alas! it was too late: she went on growing and growing, and very soon had to kneel down: in another minute there was not room even for this, and she tried the effect of lying down, with one elbow against the door, and the other arm curled round her head. Still she went on growing, and as a last resource she put one arm out of the window, and one foot up the chimney, and said to herself “now I can do no more-what will become of me?"
Luckily for Alice, the little magic bottle had now had its full effect, and she grew no larger: still it was very uncomfortable, and as there seemed to be no sort of chance of ever getting out of the room again, no wonder she felt unhappy. “It was much pleasanter at home," thought poor Alice, “when one wasn't always growing larger and smaller, and being ordered about by mice and rabbits-I almost wish I hadn't gone down that rabbit-hole, and yet, and yet-it's rather curious, you know, this sort of life. I do wonder what can have happened to me! When I used to read fairy-tales, I fancied that sort of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! and when I grow up I'll write one-but I'm grown up now” said she in a sorrowful tone, “at least there's no room to grow up any more here."
“But then," thought Alice, “shall I never get any older than I am now? That'll
be a comfort, one way-never to be an old woman-but then-always to have lessons to learn! Oh, I shouldn't like that!"
“Oh, you foolish Alice!" she said again, “how can you learn lessons in here? Why, there's hardly room for you, and no room at all for any lesson-books!"
And so she went on, taking first one side, and then the other, and making quite a conversation of it altogether, but after a few minutes she heard a voice outside, which made her stop to listen.
“Mary Ann! Mary Ann!" said the voice, “fetch me my gloves this moment!" Then came a little pattering of feet on the stairs: Alice knew it was the rabbit coming to look for her, and she trembled till she shook the house, quite forgetting that she was now about a thousand times as large as the rabbit, and had no reason to be afraid of it. Presently the rabbit came to the door, and tried to open it, but as it opened inwards, and Alice's elbow was against it, the attempt proved a failure. Alice heard it
say to itself “then I'll go round and get in at the window."
“That you won't!" thought Alice, and, after waiting till she fancied she heard the rabbit just under the window, she suddenly spread out her hand, and made a snatch in the air. She did not get hold of anything, but she heard a little shriek and a fall and a crash of breaking glass, from which she concluded that it was just possible it had fallen into a cucumber-frame, or something of the sort.
Next came an angry voice-the rabbit's-“Pat, Pat! where are you?" And then a voice she had never heard before, “shure then I'm here! digging for apples, anyway, yer honour!"
“Digging for apples indeed!" said the rabbit angrily, “here, come and help me
out of this!"-Sound of more breaking glass.
“Now, tell me, Pat, what is that coming out of the window?"
“Shure it's an arm, yer honour!" (He pronounced it “arrum”.)
“An arm, you goose! Who ever saw an arm that size? Why, it fills the whole window, don't you see?"
“Shure, it does, yer honour, but it's an arm for all that."
“Well, it's no business there: go and take it away!"
There was a long silence after this, and Alice could only hear whispers now and then, such as “shure I don't like it, yer honour, at all at all!" “do as I tell you, you coward!" and at last she spread out her hand again and made another snatch in the air. This time there were two little shrieks, and more breaking glass-" what a number of cucumber-frames there much be!" thought Alice, “I wonder what they'll do next! As for pulling me out of the window, I only wish they could! I'm sure I don't want to stop in here any longer!"
She waited for some time without
hearing anything more: at last came a rumbling of little cart-wheels, and the sound of a good many voices all talking together: she made out the words “where's the other ladder?-why, I hadn't to bring but one, Bill's got the other-here, put 'em up at this corner-no, tie 'em together first-they don't reach high enough yet-oh, they'll do well enough, don't be particular-here, Bill! catch hold of this rope-will the roof bear?-mind that loose slate-oh, it's coming down! heads below!-" (a loud crash) “now, who did that?-it was Bill, I fancy-who's to go down the chimney?-nay, I shan't! you do it!-that I won't then-Bill's got to go down-here, Bill! the master says you've to go down the chimney!"
“Oh, so Bill's got to come down the chimney, has he?" said Alice to herself, “why, they seem to put everything upon Bill! I wouldn't be in Bill's place for a good deal: the fireplace is a pretty tight one, but I think I can kick a little!"
She drew her foot as far down the chimney as she could, and waited till she
heard a little animal (she couldn't guess what sort it was) scratching and scrambling in the chimney close above her: then, saying to herself “this is Bill”, she gave one sharp kick, and waited again to see what would happen next.
The first thing was a general chorus of “there goes Bill!" then the rabbit's voice alone “catch him, you by the hedge!" then silence, and then another confusion of voices, “how was it, old fellow? what happened to you? tell us all about it."
Last came a little feeble squeaking voice, (“that's Bill” thought Alice,) which said “well, I hardly know-I'm all of a fluster myself-something comes at me like a Jack-in-the-box, and the next minute up I goes like a rocket!" “And so you did, old fellow!" said the other voices.
“We must burn the house down!" said the voice of the rabbit, and Alice called out as loud as she could “if you do, I'll set Dinah at you!" This caused silence again, and while Alice was thinking “but how can I get Dinah here?" she found to her great delight that she was getting smaller: very soon she was able to get up out of the uncomfortable position in which she had been lying, and in two or three minutes more she was once more three inches high.
She ran out of the house as quick as she could, and found quite a crowd of little animals waiting outside-guinea-pigs, white mice, squirrels, and “Bill” a little green lizard, that was being supported in the arms of one of the guinea-pigs, while another was giving it something out of a bottle. They all made a rush at her the moment she appeared, but Alice ran her hardest, and soon found herself in a thick wood.
Chapter III
“The first thing I've got to do," said Alice to herself, as she wandered about in the wood, “is to grow to my right size, and the second thing is to find my way into that lovely garden. I think that will be the best plan." It sounded an excellent plan, no doubt, and very neatly and simply arranged: the only difficulty was, that she had not the smallest idea how to set about it, and while she was peering anxiously among the trees round her, a little sharp bark just over her head made her look up in a great hurry.
An enormous puppy was looking down at her with large round eyes, and feebly stretching out one paw, trying to reach her: “poor thing!" said Alice in a coaxing tone,
and she tried hard to whistle to it, but she was terribly alarmed all the while at the thought that it might be hungry, in which case it would probably devour her in spite of all her coaxing. Hardly knowing what she did, she picked up a little bit of stick, and held it out to the puppy: whereupon the puppy jumped into the air off all its feet at once, and with a yelp of delight rushed at the stick, and made believe to worry it: then Alice dodged behind a great thistle to keep herself from being run over, and, the moment she appeared at the other side, the puppy made another dart at the stick, and tumbled head over heels in its hurry to get hold: then Alice, thinking it was very like having a game of play with a cart-horse, and expecting every moment to be trampled under its feet, ran round the thistle again: then the puppy began a series of short charges at the stick, running a very little way forwards each time and a long way back, and barking hoarsely all the while, till at last it sat down a good way off, panting, with its tongue hanging out of its mouth, and its great eyes half shut.
This seemed to Alice a good opportunity for making her escape: she set off at once, and ran till the puppy's bark sounded quite faint in the distance, and till she was quite tired and out of breath.
“And yet what a dear little puppy it was!" said Alice, as she leant against a buttercup to rest herself, and fanned herself with her hat, “I should have liked teaching it tricks, if-if I'd only been the right size to do it! Oh! I'd nearly forgotten that I've got to grow up again! Let me see: how is it to be managed? I suppose I ought to eat or drink something or other, but the great question is, what?"
The great question certainly was, what? Alice looked all round her at the flowers and the blades of grass, but could not see anything that looked like the right thing to eat under the circumstances. There was a large mushroom near her, about the same height as herself, and when she had looked under it, and on both sides of it, and behind it, it occurred to her to look and see what was on the top of it.
She stretched herself up on tiptoe, and peeped over the edge of the mushroom,
and her eyes immediately met those of a large blue caterpillar, which was sitting with its arms folded, quietly smoking a long hookah, and taking not the least notice of her or of anything else. For some time they looked at each other in silence: at last the caterpillar took the hookah out of its mouth, and languidly addressed her.
“Who are you?" said the caterpillar. This was not an encouraging opening for a conversation: Alice replied rather shyly, “I-I hardly know, sir, just at present-at least I know who I was when I got up this morning, but I think I must have been changed several times since that."
“What do you mean by that?" said the caterpillar, “explain yourself!"
“I can't explain myself, I'm afraid, sir,"
said Alice, “because I'm not myself, you see."
“I don't see," said the caterpillar.
“I'm afraid I can't put it more clearly," Alice replied very politely, “for I can't understand it myself, and really to be so many different sizes in one day is very confusing."
“It isn't," said the caterpillar.
“Well, perhaps you haven't found it so yet," said Alice, “but when you have to turn into a chrysalis, you know, and then after that into a butterfly, I should think it'll feel a little queer, don't you think so?"
“Not a bit," said the caterpillar.
“All I know is," said Alice, “it would feel queer to me."
“You!" said the caterpillar contemptuously, “who are you?"
Which brought them back again to the beginning of the conversation: Alice felt a little irritated at the caterpillar making such very short remarks, and she drew herself up and said very gravely “I think you ought to tell me who you are, first."
“Why?" said the caterpillar.
Here was another puzzling question:
and as Alice had no reason ready, and the caterpillar seemed to be in a very bad temper, she turned round and walked away.
“Come back!" the caterpillar called after her, “I've something important to say!"
This sounded promising: Alice turned and came back again.
“Keep your temper," said the caterpillar.
“Is that all?" said Alice, swallowing down her anger as well as she could.
“No," said the caterpillar.
Alice thought she might as well wait, as she had nothing else to do, and perhaps after all the caterpillar might tell her something worth hearing. For some minutes it puffed away at its hookah without speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and said “so you think you're changed, do you?"
“Yes, sir," said Alice, “I can't remember the things I used to know-I've tried to say “How doth the little busy bee” and it came all different!"
“Try and repeat “You are old, father William”," said the caterpillar.
Alice folded her hands, and began:
1. “You are old, father William," the young man said,
“And your hair is exceedingly white:
And yet you incessantly stand on your head-
Do you think, at your age, it is right?"
2. “In my youth," father William replied to his son,
“I feared it might injure the brain
But now that I'm perfectly sure I have none,
Why, I do it again and again."
3. “You are old," said the youth, “as I mentioned before,
“And have grown most uncommonly fat:
Yet you turned a back-somersault in at the door -
Pray what is the reason of that?"
4. “In my youth," said the sage, as he shook his gray locks,
“I kept all my limbs very supple.
By the use of this ointment, five shillings the box -
Allow me to sell you a couple."
5. “You are old," said the youth, “and your jaws are too weak
“For anything tougher than suet:
Yet you eat all the goose, with the bones and the beak -
Pray, how did you manage to do it?"
6. “In my youth," said the old man, “I took to the law,
And argued each case with my wife,
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life."
7. “You are old," said the youth, “one would hardly suppose
“That your eye was as steady as ever:
Yet you balanced an eel on the end of your nose -
What made you so awfully clever?"
8. “I have answered three questions, and that is enough,
Said his father, “don't give yourself airs!
“Do you think I can listen all day to such stuff?
Be off, or I'll kick you downstairs!"
“That is not said right," said the caterpillar.
“Not quite right, I'm afraid," said Alice timidly, “some of the words have got altered."
“It is wrong from beginning to end," said the caterpillar decidedly, and there was silence for some minutes: the caterpillar was the first to speak.
“What size do you want to be?" it asked.
“Oh, I'm not particular as to size," Alice hastily replied, “only one doesn't like changing so often, you know."
“Are you content now?" said the caterpillar.
“Well, I should like to be a little larger, sir, if you wouldn't mind," said Alice, “three inches is such a wretched height to be."
“It is a very good height indeed!" said the caterpillar loudly and angrily, rearing itself straight up as it spoke (it was exactly three inches high).
“But I'm not used to it!" pleaded poor Alice in a piteous tone, and she thought to herself “I wish the creatures wouldn't be so easily offended!"
“You'll get used to it in time," said the caterpillar, and it put the hookah into its mouth, and began smoking again.
This time Alice waited quietly until it chose to speak again: in a few minutes the caterpillar took the hookah out of its mouth, and got down off the mushroom, and crawled away into the grass, merely remarking as it went: “the top will make you grow taller, and the stalk will make you grow shorter."
“The top of what? the stalk of what?" thought Alice.
“Of the mushroom," said the caterpillar, just as if she had asked it aloud, and in another moment it was out of sight.
Alice remained looking thoughtfully at the mushroom for a minute, and then picked it and carefully broke it in two, taking the stalk in one hand and the top in the other. “Which does the stalk do?" she said, and nibbled a little bit of it to try: the next moment she felt a violent blow on her chin: it had struck her foot!
She was a good deal frightened by this very sudden change, but as she did not shrink any further, and had not dropped the top of the mushroom, she did not give up hope yet. There was hardly room to open her mouth, with her chin pressing against her foot, but she did it at last, and managed to bite off a little bit of the top of the mushroom.
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“Come! my head's free at last!" said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be seen: she looked down upon an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her.
“What can all that green stuff be?" said Alice, “and where have my shoulders got to? And oh! my poor hands! how is it I can't see you?" She was moving them about as she spoke, but no result seemed to follow, except a little rustling among the leaves. Then she tried to bring her head down to her hands, and was delighted to find that her neck would bend about easily in every direction, like a serpent. She had just succeeded in bending it down in a beautiful zig-zag, and was going to dive in among the leaves, which she found to be the tops of the trees of the wood she had been wandering in, when a sharp hiss made her draw back: a large pigeon had flown into her face, and was violently beating her with its wings.
“Serpent!" screamed the pigeon.
“I'm not a serpent!" said Alice indignantly, “let me alone!"
“I've tried every way!" the pigeon said desperately, with a kind of sob: “nothing seems to suit 'em!"
“I haven't the least idea what you mean," said Alice.
“I've tried the roots of trees, and I've tried banks, and I've tried hedges," the pigeon went on without attending to her, “but them serpents! There's no pleasing 'em!"
Alice was more and more puzzled, but she thought there was no use in saying anything till the pigeon had finished.
“As if it wasn't trouble enough hatching the eggs!" said the pigeon, “without being on the look out for serpents, day and night! Why, I haven't had a wink of sleep these three weeks!"
“I'm very sorry you've been annoyed," said Alice, beginning to see its meaning.
“And just as I'd taken the highest tree in the wood," said the pigeon raising its voice to a shriek, “and was just thinking I was free of 'em at last, they must needs come down from the sky! Ugh! Serpent!"
“But I'm not a serpent," said Alice, “I'm a- I'm a-"
“Well! What are you?" said the pigeon, “I see you're trying to invent something."
“I- I'm a little girl," said Alice, rather doubtfully, as she remembered the number of changes she had gone through.
“A likely story indeed!" said the pigeon, “I've seen a good many of them in my time, but never one with such a neck as yours! No, you're a serpent, I know that well enough! I suppose you'll tell me next that you never tasted an egg!"
“I have tasted eggs, certainly," said Alice, who was a very truthful child, “but indeed I don't want any of yours. I don't like them raw."
“Well, be off, then!" said the pigeon, and settled down into its nest again. Alice crouched down among the trees, as well as she could, as her neck kept getting entangled among the branches, and several times she had to stop and untwist it. Soon she remembered the pieces of mushroom which she still held in her hands, and set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual size.
It was so long since she had been of the right size that it felt quite strange
at first, but she got quite used to it in a minute or two, and began talking to herself as usual: “well! there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got to my right size again: the next thing is, to get into that beautiful garden-how is that to be done, I wonder?"
Just as she said this, she noticed that one of the trees had a doorway leading right into it. “That's very curious!" she thought, “but everything's curious today: I may as well go in." And in she went.
Once more she found herself in the long hall, and close to the little glass table: “now, I'll manage better this time” she said to herself, and began by taking the little golden key, and unlocking the door that led into the garden. Then she set to work eating the pieces of mushroom till she was about fifteen inches high: then she walked down the little passage: and then- she found herself at last in the beautiful garden, among the bright flowerbeds and the cool fountains.
Chapter IV
A large rose tree stood near the entrance of the garden: the roses on it were white, but there were three gardeners at it, busily painting them red. This Alice thought a very curious thing, and she went near to watch them, and just as she came up she heard one of them say “look out, Five! Don't go splashing paint over me like that!"
“I couldn't help it," said Five in a sulky tone, “Seven jogged my elbow."
On which Seven lifted up his head and said “that's right, Five! Always lay the blame on others!"
“You'd better not talk!" said Five, “I
heard the Queen say only yesterday she thought of having you beheaded!"
“What for?" said the one who had spoken first.
“That's not your business, Two!" said Seven.
“Yes, it is his business!" said Five, “and I'll tell him: it was for bringing tulip-roots to the cook instead of potatoes."
Seven flung down his brush, and had just begun “well! Of all the unjust things-" when his eye fell upon Alice, and he stopped suddenly: the others looked round, and all of them took off their hats and bowed low.
“Would you tell me, please," said Alice timidly, “why you are painting those roses?"
Five and Seven looked at Two, but said nothing: Two began, in a low voice, “why, Miss, the fact is, this ought to have been a red rose tree, and we put a white one in by mistake, and if the Queen was to find it out, we should all have our heads cut off. So, you see, we're doing our best, before she comes, to-" At this moment Five, who had been looking anxiously across the garden called out “the Queen! the Queen!" and
the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen.
First came ten soldiers carrying clubs: these were all shaped like the three gardeners, flat and oblong, with their hands and feet at the corners: next the ten courtiers; these were all ornamented with diamonds, and walked two and two, as the soldiers did. After these came the Royal children: there were ten of them, and the little dears came jumping merrily along, hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly kings and queens, among whom Alice recognised the white rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a cushion, and, ast of all this grand procession, came THE KING AND QUEEN OF HEARTS.
When the procession came opposite to Alice, they all stopped and looked at her, and
the Queen said severely “who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply.
“Idiot!" said the Queen, turning up her nose, and asked Alice “what's your name?"
“My name is Alice, so please your Majesty," said Alice boldly, for she thought to herself, “why, they're only a pack of cards! I needn't be afraid of them!"
“Who are these?" said the Queen, pointing to the three gardeners lying round the rose tree, for, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children.
“How should I know?" said Alice, surprised at her own courage, “it's no business of mine."
The Queen turned crimson with fury, and, after glaring at her for a minute, began in a voice of thunder, “off with her-"
“Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent.
The King laid his hand upon her arm, and said timidly “remember my dear! She is only a child!"
The Queen turned angrily away from him, and said to the Knave “turn them over!"
The Knave did so, very carefully, with one foot.
“Get up!" said the Queen, in a shrill loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the Royal children, and everybody else.
“Leave off that!" screamed the Queen, “you make me giddy." And then, turning to the rose tree, she went on “what have you been doing here?"
“May it please your Majesty," said Two very humbly, going down on one knee as he spoke, “we were trying-"
“I see!" said the Queen, who had meantime been examining the roses, “off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the three unfortunate gardeners, who ran to Alice for protection.
“You shan't be beheaded!" said Alice, and she put them into her pocket: the three soldiers marched once round her, looking for them, and then quietly marched off after the others.
“Are their heads off?" shouted the Queen.
“Their heads are gone," the soldiers shouted in reply, “if it please your Majesty!"
“That's right!" shouted the Queen, “can you play croquet?"
The soldiers were silent, and looked at Alice, as the question was evidently meant for her.
“Yes!" shouted Alice at the top of her voice.
“Come on then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next.
“It's- it's a very fine day!" said a timid little voice: she was walking by the white rabbit, who was peeping anxiously into her face.
“Very," said Alice, “where's the Marchioness?"
“Hush, hush!" said the rabbit in a low voice, “she'll hear you. The Queen's the Marchioness: didn't you know that?"
“No, I didn't," said Alice, “what of?"
“Queen of Hearts," said the rabbit in a whisper, putting its mouth close to her ear, “and Marchioness of Mock Turtles."
“What are they?" said Alice, but there was no time for the answer, for they had reached the croquet-ground, and the game began instantly.
Alice thought she had never seen such a curious croquet-ground in all her life: it was all in ridges and furrows: the croquet-balls were live hedgehogs, the mallets live ostriches, and the soldiers had to double themselves up, and stand
on their feet and hands, to make the arches.
The chief difficulty which Alice found at first was to manage her ostrich: she got its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck straightened out nicely, and was going to give a blow with its head, it would twist itself round, and look up into her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very confusing to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or a furrow in her way, wherever she wanted to send the hedgehog to, and as the doubled-up soldiers were always getting up and walking off to other
parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed.
The players all played at once without waiting for turns, and quarrelled all the while at the tops of their voices, and in a very few minutes the Queen was in a furious passion, and went stamping about and shouting “off with his head!" or “off with her head!" about once in a minute. All those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that, by the end of half an hour or so, there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody, and under sentence of execution.
Then the Queen left off, quite out of breath, and said to Alice “have you seen the Mock Turtle?"
“No," said Alice, “I don't even know what a Mock Turtle is."
“Come on then," said the Queen, “and it shall tell you its history."
As they walked off together, Alice heard the King say in a low voice, to the company generally, “you are all pardoned."
“Come, that's a good thing!" thought Alice, who had felt quite grieved at the number of
executions which the Queen had ordered.
They very soon came upon a Gryphon, which lay fast asleep in the sun: (if you don't know what a Gryphon is, look at the picture): “up, lazy thing!" said the Queen, “and take this young lady to see the Mock Turtle, and to hear its history. I must go back and see after some executions I ordered," and she walked off, leaving Alice with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it quite as safe to stay as to go after that savage Queen: so she waited.
The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled, “What fun!" said the Gryphon, half to itself, half to Alice.
“What is the fun?" said Alice.
“Why, she," said the Gryphon; “it's all her fancy, that: they never executes nobody, you know: come on!"
“Everybody says 'come on!' here," thought Alice, as she walked slowly after the Gryphon; “I never was ordered about so before in all my life-never!"
They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear it sighing as if its heart would break. She pitied it deeply: “what is its sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, “it's all its fancy, that: it hasn't got no sorrow, you know: come on!"
So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing.
“This here young lady” said the Gryphon,
“wants for to know your history, she do."
“I'll tell it," said the Mock Turtle, in a deep, hollow tone, “sit down, and don't speak till I've finished."
So they sat down, and no one spoke for some minutes: Alice thought to herself “I don't see how it can ever finish, if it doesn't begin," but she waited patiently.
“Once," said the Mock Turtle at last, with a deep sigh, “I was a real Turtle."
These words were followed by a very long silence, broken only by an occasional exclamation of “hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, “thank you, sir, for your interesting story," but she could not help thinking there must be more to come, so she sat still and said nothing.
“When we were little," the Mock Turtle went on, more calmly, though still sobbing a little now and then, “we went to school in the sea. The master was an old Turtle-we used to call him Tortoise-"
“Why did you call him Tortoise, if he wasn't one?" asked Alice
“We called him Tortoise because he taught us," said the Mock Turtle angrily, “really you are very dull!"
“You ought to be ashamed of yourself for asking such a simple question," added the Gryphon, and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth: at last the Gryphon said to the Mock Turtle, “get on, old fellow! Don't be all day!" and the Mock Turtle went on in these words:
“You may not have lived much under the sea-" (“I haven't," said Alice,) “and perhaps you were never even introduced to a lobster-" (Alice began to say “I once tasted-" but hastily checked herself, and said “no, never," instead,) “so you can have no idea what a delightful thing a Lobster Quadrille is!"
“No, indeed, said Alice, “what sort of a thing is it?"
“Why," said the Gryphon, “you form into a line along the sea shore-"
“Two lines!" cried the Mock Turtle, “seals, turtles, salmon, and so on-advance twice:-"
“Each with a lobster as partner!" cried the Gryphon.
“Of course," the Mock Turtle said, “advance twice, set to partners-"
“Change lobsters, and retire in same order-" interrupted the Gryphon.
“Then, you know," continued the Mock Turtle, “you throw the-"
“The lobsters!" shouted the Gryphon, with a bound into the air.
“As far out to sea as you can-"
“Swim after them!" screamed the Gryphon.
“Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about.
“Change lobsters again!" yelled the Gryphon at the top of its voice, “and then-"
“That's all," said the Mock Turtle, suddenly dropping its voice, and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice.
“It must be a very pretty dance," said Alice timidly.
“Would you like to see a little of it?" said the Mock Turtle.
“Very much indeed," said Alice.
“Come, let's try the first figure!" said the Mock Turtle to the Gryphon, “we can do
it without lobsters, you know. Which shall sing?"
“Oh! you sing!" said the Gryphon, “I've forgotten the words."
So they began solemnly dancing round and round Alice, every now and then treading on her toes when they came too close, and waving their fore-paws to mark the time, while the Mock Turtle sang, slowly and sadly, these words:
“Beneath the waters of the sea
Are lobsters thick as thick can be -
They love to dance with you and me,
My own, my gentle Salmon!"
The Gryphon joined in singing the chorus, which was:
“Salmon come up! Salmon go down!
Salmon come twist your tail around!
Of all the fishes of the sea
There's none so good as Salmon!"
“Thank you," said Alice, feeling very glad that the figure was over.
“Shall we try the second figure?" said the Gryphon, or would you prefer a song?"
“Oh, a song, please!" Alice replied, so eagerly, that the Gryphon said, in a rather offended tone, “hm! no accounting for tastes! Sing her 'Mock Turtle Soup', will you, old fellow!"
The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:
“Beautiful Soup, so rich and green,
Waiting in a hot tureen!
Who for such dainties would not stoop?
Soup of the evening, beautiful
Soup! Soup of the evening, beautiful Soup!
Beau-ootiful Soo- oop!
Beau-ootiful Soo- oop!
Soo-oop of the e-e-evening,
Beautiful beautiful Soup!
“Chorus again!" cried the Gryphon, and
he Mock Turtle had just begun to repeat it, when a cry of “the trial's beginning!" was heard in the distance.
“Come on!" cried the Gryphon, and, taking Alice by the hand, he hurried off, without waiting for the end of the song.
“What trial is it?" panted Alice as she ran, but the Gryphon only answered “come on!" and ran the faster, and more and more faintly came, borne on the breeze that followed them, the melancholy words:
“Soo-oop of the e-e-evening,
Beautiful beautiful Soup!"
The King and Queen were seated on their throne when they arrived, with a great crowd assembled around them: the Knave was in custody: and before the King stood the white rabbit, with a trumpet in one hand, and a scroll of parchment in the other.
“Herald! read the accusation!" said the King.
On this the white rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:
“The Queen of Hearts she made some tarts
All on a summer day:
The Knave of Hearts he stole those tarts,
And took them quite away!"
“Now for the evidence," said the King, “and then the sentence."
“No!" said the Queen, “first the sentence, and then the evidence!"
“Nonsense!" cried Alice, so loudly that everybody jumped, “the idea of having the sentence first!"
“Hold your tongue!" said the Queen.
“I won't!" said Alice, “you're nothing but a pack of cards! Who cares for you?"
At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream of fright, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some leaves that had fluttered down from the trees on to her face.
“Wake up! Alice dear!" said her sister, “what a nice long sleep you've had!"
“Oh, I've had such a curious dream!" said Alice, and she told her sister all her Adventures Under Ground, as you have read them, and when she had finished, her sister kissed her and said “it was a curious dream, dear, certainly! But now run in to your tea: it's getting late."
So Alice ran off, thinking while she ran (as well she might) what a wonderful dream it had been.
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But her sister sat there some while longer, watching the setting sun, and thinking of little Alice and her Adventures, till she too began dreaming after a fashion, and this was her dream:
She saw an ancient city, and a quiet river winding near it along the plain, and up the stream went slowly gliding a boat with a merry party of children on board-she could hear their voices and laughter like music over the water-and among them was another little Alice, who sat listening with bright eager eyes to a tale that was being told, and she listened for the words of the tale, and lo! it was the dream
of her own little sister. So the boat wound slowly along, beneath the bright summer-day, with its merry crew and its music of voices and laughter, till it passed round one of the many turnings of the stream, and she saw it no more.
Then she thought, (in a dream within the dream, as it were,) how this same little Alice would, in the after-time, be herself a grown woman: and how she would keep, through her riper years, the simple and loving heart of her childhood; and how she would gather around her other little children, and make their eyes bright and eager with many a wonderful tale, perhaps even with these very adventures of the little Alice of long-ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days
of her own little sister. So the boat wound slowly along, beneath the bright summer-day, with its merry crew and its music of voices and laughter, till it passed round one of the many turnings of the stream, and she saw it no more.
Then she thought, (in a dream within the dream, as it were,) how this same little Alice would, in the after-time, be herself a grown woman: and how she would keep, through her riper years, the simple and loving heart of her childhood; and how she would gather around her other little children, and make their eyes bright and eager with many a wonderful tale, perhaps even with these very adventures of the little Alice of long-ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days
THE END
All texts
| Title |
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| Add MS 46700: Alice's Adventures Under Ground |
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Mythological contents
This artifact contains mythological contents associated with Uncategorized Other. The main narrative mentioned may be Alice in Wonderland, a Fantasy myth.
Parent belief system
- Uncategorized Other · Polytheistic
Some myths, like modern ones that are generalized, don't seem to fall into a traditional category. For that reason, they are considered general myths and do not readily align themselves with a single religion or culture.
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Associated myth
Alice in Wonderland Fantasy mythNuthsell
Alice falls down a rabbit hole and goes through a fantasy-driven adventure in a strange world. She meets unique characters like a talking cat, the mad hatter, and people who are personified as playing cards. As Alice gets into trouble and is tried, she is woken up by her sister to find out that the whole experience was a bizarre dream.
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Artifact condition
The artifact named 'Add MS 46700' is appraised as being in Excellent condition based on how much reliance is placed on other resources to make it complete and readable.
| Condition | Excellent | Just OK | Poor |
|---|---|---|---|
 |  |  | |
| Completeness | More than 80% | 50 - 80% | Less than 50% |
| Fragmentation | Minor | Moderate | Significant |
| Damage | Minor | Moderate | Significant |
| Legibility | Highly readable | Somewhat readable | Unintelligible |
What's a 'joined' artifact?
A joined artifact is one that was originally part of the other and was broken or fragmented at some point in time. Joins are common among clay tablets because they may get broken during discovery and transportation. The join is notated with the + sign. For example, if tablets A000 and Z999 are joined, we would express this relationship by grouping them as A000 + Z999 to indicate they are related.
If the fragments are owned, maintained, and cataloged by separate museums then classifying the join relationship is critical for accurate translations.
Cite this page
OMNIKA Foundation Contributors. "Add MS 46700." OMNIKA – World Mythology Index, OMNIKA Foundation, 09 Aug. 2019, omnika.org/stable/291. Accessed 27 Jul. 2024.
OMNIKA (2019, August 09). Add MS 46700. Retrieved from https://omnika.org/stable/291
OMNIKA Foundation Contributors. "Add MS 46700." Las Vegas, NV: OMNIKA Foundation. Created August 09, 2019. Accessed July 27, 2024. https://omnika.org/stable/291.
